Vibrato in the context of "Steel guitar"

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⭐ Core Definition: Vibrato

Vibrato (Italian, from past participle of "vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterized in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato").

In singing, it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato can also be reproduced mechanically (Leslie speaker) or electronically as an audio effect close to chorus.

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👉 Vibrato in the context of Steel guitar

A steel guitar (Hawaiian: kīkākila) is a guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it has no frets—but markers that look like frets. Conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its smooth, gliding glissandi over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of one hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand.

The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar in a horizontal position across the knees instead of flat against the body, using the bar instead of fingers. Joseph Kekuku developed this manner of playing a guitar, known as "Hawaiian style", about 1890 and the technique spread internationally.

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Vibrato in the context of Musical tone

Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration, pitch, intensity (or loudness), and timbre (or quality). The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients, vibrato, and envelope modulation.

A simple tone, or pure tone, has a sinusoidal waveform. A complex tone is a combination of two or more pure tones that have a periodic pattern of repetition, unless specified otherwise.

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Vibrato in the context of Fiddle

A fiddle is a bowed string musical instrument, most often a violin or a bass. Fiddle is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violin and fiddle are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a brighter tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.

Fiddling is the act of playing the fiddle, and fiddlers are musicians who play it. Among musical styles, fiddling tends to produce rhythms that focus on dancing, with associated quick note changes, whereas classical music tends to contain more vibrato and sustained notes. Fiddling is also open to improvisation and embellishment with ornamentation at the player's discretion, in contrast to orchestral performances, which adhere to the composer's notes to reproduce a work faithfully. It is less common for a classically trained violinist to play folk music, but today, many fiddlers (e.g., Alasdair Fraser, Brittany Haas, and Alison Krauss) have classical training.

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Vibrato in the context of Pedal steel guitar

The pedal steel guitar is a console steel guitar with pedals and knee levers that change the pitch of certain strings, enabling more varied and complex music to be played than with other steel guitar designs. Like all steel guitars, it can play unlimited glissandi (sliding notes) and deep vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with country music and Hawaiian music.

Pedals were added to a lap steel guitar in 1940, allowing the performer to play a major scale without moving the bar and also to push the pedals while striking a chord, making passing notes slur or bend up into harmony with existing notes. The latter creates a unique sound that has been popular in country and western music—a sound not previously possible on steel guitars before pedals were added.

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Vibrato in the context of Low-frequency oscillator

Low-frequency oscillation (LFO) is an electronic frequency that is usually below 20 Hz and creates a rhythmic pulse or sweep. This is used to modulate musical equipment such as synthesizers to create audio effects such as vibrato, tremolo and phasing.

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Vibrato in the context of Charles Aznavour

Charles Aznavour (/ˌæznəˈvʊər/ AZ-nə-VOOR; French: [ʃaʁl aznavuʁ]; Armenian: Շահնուր Վաղինակ Ազնավուրյան; born Shahnur Vaghinak Aznavourian; 22 May 1924 – 1 October 2018) was a French singer and songwriter of Armenian descent. Aznavour was known for his distinctive vibrato tenor voice: clear and ringing in its upper reaches, with gravelly and profound low notes. In a career as a singer and songwriter, spanning over 70 years, he recorded more than 1,200 songs, in various languages. Moreover, he wrote or co-wrote more than 1,000 songs for himself and others. Aznavour is regarded as one of the greatest songwriters in history and an icon of 20th-century pop culture.

Aznavour sang for presidents, popes and royalty, as well as at humanitarian events. In response to the 1988 Armenian earthquake, he founded the charitable organization Aznavour for Armenia along with his long-time friend, impresario Lévon Sayan. In 2008, he was granted Armenian citizenship and was appointed ambassador of Armenia to Switzerland the following year, as well as Armenia's permanent delegate to the United Nations at Geneva.

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