Vibration in the context of Waviness


Vibration in the context of Waviness

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⭐ Core Definition: Vibration

In mechanics, vibration (from Latin vibrāre 'to shake') is oscillatory motion about an equilibrium point. Vibration may be deterministic if the oscillations can be characterised precisely (e.g. the periodic motion of a pendulum), or random if the oscillations can only be analysed statistically (e.g. the movement of a tire on a gravel road).

Vibration can be desirable: for example, the motion of a tuning fork, the reed in a woodwind instrument or harmonica, a mobile phone, or the cone of a loudspeaker.In many cases, however, vibration is undesirable, wasting energy and creating unwanted sound. For example, the vibrational motions of engines, electric motors, or any mechanical device in operation are typically unwanted. Such vibrations could be caused by imbalances in the rotating parts, uneven friction, or the meshing of gear teeth. Careful designs usually minimize unwanted vibrations.

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Vibration in the context of Sound

In physics, sound is a vibration that propagates as an acoustic wave through a transmission medium such as a gas, liquid or solid.In human physiology and psychology, sound is the reception of such waves and their perception by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of 17 meters (56 ft) to 1.7 centimeters (0.67 in). Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges, allowing some to even hear ultrasounds.

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Vibration in the context of Steam turbine

A steam turbine or steam turbine engine is a machine or heat engine that extracts thermal energy from pressurized steam and uses it to do mechanical work utilising a rotating output shaft. Its modern manifestation was invented by Sir Charles Parsons in 1884. It revolutionized marine propulsion and navigation to a significant extent. Fabrication of a modern steam turbine involves advanced metalwork to form high-grade steel alloys into precision parts using technologies that first became available in the 20th century; continued advances in durability and efficiency of steam turbines remains central to the energy economics of the 21st century. The largest steam turbine ever built is the 1,770 MW Arabelle steam turbine built by Arabelle Solutions (previously GE Steam Power), two units of which will be installed at Hinkley Point C Nuclear Power Station, England.

The steam turbine is a form of heat engine that derives much of its improvement in thermodynamic efficiency from the use of multiple stages in the expansion of the steam, which results in a closer approach to the ideal reversible expansion process. Because the turbine generates rotary motion, it can be coupled to a generator to harness its motion into electricity. Such turbogenerators are the core of thermal power stations which can be fueled by fossil fuels, nuclear fuels, geothermal, or solar energy. About 42% of all electricity generation in the United States in 2022 was by the use of steam turbines. Technical challenges include rotor imbalance, vibration, bearing wear, and uneven expansion (various forms of thermal shock).

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Vibration in the context of Acoustics

Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an acoustical engineer. The application of acoustics is present in almost all aspects of modern society with the most obvious being the audio and noise control industries.

Hearing is one of the most crucial means of survival in the animal world and speech is one of the most distinctive characteristics of human development and culture. Accordingly, the science of acoustics spreads across many facets of human society—music, medicine, architecture, industrial production, warfare and more. Likewise, animal species such as songbirds and frogs use sound and hearing as a key element of mating rituals or for marking territories. Art, craft, science and technology have provoked one another to advance the whole, as in many other fields of knowledge. Robert Bruce Lindsay's "Wheel of Acoustics" is a well-accepted overview of the various fields in acoustics.

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Vibration in the context of Frequency

Frequency is the number of occurrences of a repeating event per unit of time. Frequency is an important parameter used in science and engineering to specify the rate of oscillatory and vibratory phenomena, such as mechanical vibrations, audio signals (sound), radio waves, and light.

The interval of time between events is called the period. It is the reciprocal of the frequency. For example, if a heart beats at a frequency of 120 times per minute (2 hertz), its period is one half of a second.

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Vibration in the context of Audio frequency

An audio frequency or audible frequency (AF) is a periodic vibration whose frequency is audible to the average human. The SI unit of frequency is the hertz (Hz). It is the property of sound that most determines pitch.

The generally accepted standard hearing range for humans is 20 to 20,000 Hz (20 kHz). In air at atmospheric pressure, these represent sound waves with wavelengths of 17 metres (56 ft) to 1.7 centimetres (0.67 in). Frequencies below 20 Hz are generally felt rather than heard, assuming the amplitude of the vibration is great enough. Sound waves that have frequencies below 20 Hz are called infrasonic and those above 20 kHz are called ultrasonic.

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Vibration in the context of Vocal folds

The vocal cords, also known as vocal folds, are folds of throat tissues that are key in creating sounds through vocalization. The length of the vocal cords affects the pitch of voice, similar to a violin string. Open when breathing and vibrating for speech or singing, the folds are controlled via the recurrent laryngeal branch of the vagus nerve. They are composed of twin infoldings of mucous membrane stretched horizontally, from back to front, across the larynx. They vibrate, modulating the flow of air being expelled from the lungs during phonation.

The 'true vocal cords' are distinguished from the 'false vocal folds', known as vestibular folds or ventricular folds, which sit slightly superior to the more delicate true folds. These have a minimal role in normal phonation, but can produce deep sonorous tones, screams and growls.

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Vibration in the context of Hearing

Hearing, or auditory perception, is the ability to perceive sounds through an organ, such as an ear, by detecting vibrations as periodic changes in the pressure of a surrounding medium. The academic field concerned with hearing is auditory science.

Sound may be heard through solid, liquid, or gaseous matter. It is one of the traditional five senses. Partial or total inability to hear is called hearing loss.

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Vibration in the context of Propulsion

Propulsion is the generation of force by any combination of pushing or pulling to modify the translational motion of an object, which is typically a rigid body (or an articulated rigid body) but may also concern a fluid. The term is derived from two Latin words: pro, meaning before or forward; and pellere, meaning to drive. A propulsion system consists of a source of mechanical power, and a propulsor (means of converting this power into propulsive force).

Plucking a guitar string to induce a vibratory translation is technically a form of propulsion of the guitar string; this is not commonly depicted in this vocabulary, even though human muscles are considered to propel the fingertips. The motion of an object moving through a gravitational field is affected by the field, and within some frames of reference physicists speak of the gravitational field generating a force upon the object, but for deep theoretic reasons, physicists now consider the curved path of an object moving freely through space-time as shaped by gravity as a natural movement of the object, unaffected by a propulsive force (in this view, the falling apple is considered to be unpropelled, while the observer of the apple standing on the ground is considered to be propelled by the reactive force of the Earth's surface).

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Vibration in the context of Oscillatory

Oscillation is the repetitive or periodic variation, typically in time, of some measure about a central value (often a point of equilibrium) or between two or more different states. Familiar examples of oscillation include a swinging pendulum and alternating current. Oscillations can be used in physics to approximate complex interactions, such as those between atoms.

Oscillations occur not only in mechanical systems but also in dynamic systems in virtually every area of science: for example the beating of the human heart (for circulation), business cycles in economics, predator–prey population cycles in ecology, geothermal geysers in geology, vibration of strings in guitar and other string instruments, periodic firing of nerve cells in the brain, and the periodic swelling of Cepheid variable stars in astronomy. The term vibration is precisely used to describe a mechanical oscillation.

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Vibration in the context of Noise

Noise is sound, chiefly unwanted, unintentional, or harmful sound considered unpleasant, loud, or disruptive to mental or hearing faculties. From a physics standpoint, there is no distinction between noise and desired sound, as both are vibrations through a medium, such as air or water. The difference arises when the brain receives and perceives a sound. Acoustic noise is any sound in the acoustic domain, either deliberate (e.g., music or speech) or unintended.

Noise may also refer to a random or unintended component of an electronic signal, whose effects may not be audible to the human ear and may require instruments for detection. It can also refer to an intentionally produced random signal or spectral noise, such as white noise or pink noise.

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Vibration in the context of Strings (music)

In music, strings are long flexible structures on string instruments that produce sound through vibration. Strings are held under tension so that they can vibrate freely. The pitch (frequency) at which a string will vibrate is primarily related to its vibrating length (also called speaking length), its tension, and its mass per unit of length. A vibrating string produces very little sound by itself. Therefore, most string instruments have a soundboard to amplify the sound.

There are two main kinds of strings; plain and wound. "Plain" strings are simply one piece of long cylindrical material, commonly consisted of nylon or gut. "Wound" strings have a central core, with other material being tightly wound around the string .

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Vibration in the context of Bow (music)

In music, a bow (/b/) is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it. It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones.

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Vibration in the context of Vibrating strings

A vibration in a string is a wave. Initial disturbance (such as plucking or striking) causes a vibrating string to produce a sound with constant frequency, i.e., constant pitch. The nature of this frequency selection process occurs for a stretched string with a finite length, which means that only particular frequencies can survive on this string. If the length, tension, and linear density (e.g., the thickness or material choices) of the string are correctly specified, the sound produced is a musical tone. Vibrating strings are the basis of string instruments such as guitars, cellos, and pianos. For a homogeneous string, the motion is given by the wave equation.

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Vibration in the context of Chladni pattern

Ernst Florens Friedrich Chladni (UK: /ˈklædni/, US: /ˈklɑːdni/, German: [ɛʁnst ˈfloːʁɛns ˈfʁiːdʁɪç ˈkladniː]; 30 November 1756 – 3 April 1827) was a German physicist and musician. His most important work, for which he is sometimes labeled the father of acoustics, included research on vibrating plates and the calculation of the speed of sound for different gases. He also undertook pioneering work in the study of meteorites and is regarded by some as the father of meteoritics.

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Vibration in the context of Bridge (instrument)

A bridge is a device that supports the strings on a stringed musical instrument and transmits the vibration of those strings to another structural component of the instrument—typically a soundboard, such as the top of a guitar or violin—which transfers the sound to the surrounding air. Depending on the instrument, the bridge may be made of carved wood (violin family instruments, acoustic guitars and some jazz guitars), metal (electric guitars such as the Fender Telecaster) or other materials. The bridge supports the strings and holds them over the body of the instrument under tension.

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