Vernacular architecture in the context of "Classical architecture"

⭐ In the context of classical architecture, vernacular architecture is considered…

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⭐ Core Definition: Vernacular architecture

Vernacular architecture (also folk architecture) is building done outside any academic tradition, and without professional guidance. It is not a particular architectural movement or style but rather a broad category, encompassing a wide range and variety of building types; with differing methods of construction from around the world, including historical and extant and classical and modern. Vernacular architecture constitutes 95% of the world's built environment, as estimated in 1995 by Amos Rapoport, as measured against the small percentage of new buildings every year designed by architects and built by engineers. Vernacular architecture directly influences traditional architecture, a professional and academic practice deliberately and explicitly referencing and continuing local historical traditions and vernacular.

Vernacular architecture usually serves immediate, local needs, is constrained by the materials available in its particular region, and reflects local traditions and cultural practices. The study of vernacular architecture does not examine formally schooled architects, but instead that of the design skills and tradition of local builders, who were rarely given any attribution for the work. More recently, vernacular architecture has been examined by designers and the building industry in an effort to be more energy conscious with contemporary design and construction—part of a broader interest in sustainable design.

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👉 Vernacular architecture in the context of Classical architecture

Classical architecture typically refers to architecture consciously derived from the principles of Greek and Roman architecture of classical antiquity, or more specifically, from De architectura (c. 10 AD) by the Roman architect Vitruvius. Variations of classical architecture have arguably existed since the Carolingian Renaissance, and became especially prominent during the Italian Renaissance and the later period known as neoclassical architecture or Classical revival. While classical styles of architecture can vary, they generally share a common "vocabulary" of decorative and structural elements. Across much of the Western world, classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to influence contemporary architects.

The term classical architecture can also refer to any architectural tradition that has evolved to a highly refined form, such as classical Chinese or Mayan architecture. It may also describe architecture that adheres to classical aesthetic philosophy. The term might be used differently from "traditional" or "vernacular architecture", it can share underlying axioms with it.

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Vernacular architecture in the context of Hut

A hut is a small dwelling, which may be constructed of various local materials. Huts are a type of vernacular (non-academic) architecture, being built of readily available materials.

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Vernacular architecture in the context of Mudbrick

Mudbrick or mud-brick, also known as unfired brick, is an air-dried brick, made of a mixture of mud (containing loam, clay, sand and water) mixed with a binding material such as rice husks or straw. Mudbricks are known from 9000 BCE.

From around 5000–4000 BCE, mudbricks evolved into fired bricks to increase strength and durability. Nevertheless, in some warm regions with very little timber available to fuel a kiln, mudbricks continued to be in use. Even today, mudbricks are the standard of vernacular architecture in some warmer regions- mainly in parts of Africa and western Asia. In the 20th century, the compressed earth block was developed using high pressure as a cheap and eco-friendly alternative to obtain non-fired bricks with more strength than the simpler air-dried mudbricks.

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Vernacular architecture in the context of Persian architecture

Iranian architecture or Persian architecture (Persian: معمارى ایرانی, romanizedMe'māri-e Irāni) is the architecture of Iran and parts of the rest of West Asia, the Caucasus and Central Asia. Its history dates back to at least 5,000 BC with characteristic examples distributed over a vast area from Turkey and Iraq to Uzbekistan and Tajikistan. Iranian buildings vary greatly in scale and function, from vernacular architecture to monumental complexes. In addition to historic gates, palaces, and mosques, the rapid growth of cities such as the capital Tehran has brought about a wave of demolition and new construction.

According to American historian and archaeologist Arthur Pope, the supreme Iranian art, in the proper meaning of the word, has always been its architecture. The supremacy of architecture applies to both pre- and post-Islamic periods. Iranian architecture displays great variety, both structural and aesthetic, from a variety of traditions and experience. Without sudden innovations, and despite the repeated trauma of invasions and cultural shocks, it developed a recognizable style distinct from other regions of the Muslim world. Its virtues are "a marked feeling for form and scale; structural inventiveness, especially in vault and dome construction; a genius for decoration with a freedom and success not rivaled in any other architecture".

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Vernacular architecture in the context of Tuscan order

The Tuscan order (Latin Ordo Tuscanicus or Ordo Tuscanus, with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's 6th-century Etymologiae and refined during the Italian Renaissance.

Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of Regole generali di architettura sopra le cinque maniere de gli edifici (1537). Though Fra Giocondo had attempted a first illustration of a Tuscan capital in his printed edition of Vitruvius (1511), he showed the capital with an egg and dart enrichment that belonged to the Ionic. The "most rustic" Tuscan order of Serlio was later carefully delineated by Andrea Palladio.

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Vernacular architecture in the context of Homestead (small African settlement)

A homestead (Xhosa: umzi) in southern Africa is a cluster of several houses, typically occupied by a single extended family and often with an attached kraal. Such settlements are characteristic of Nguni-speaking peoples. A house within a homestead is known as an indlu, plural tindlu (Swati) or izindlu (Xhosa and Zulu).

Traditional housing is a feature of rural communities across southern Africa. A rural community may live in a homestead built using locally sourced materials. In South Africa, as of 2022, 4.3% of households were classified as traditional dwellings. Modern homesteads may make use of commercially available materials but nonetheless inherit traditional construction methods to retain an often semi-circular arrangement of vernacular architecture. For example, among Xhosa, the roofs of a main rondavel (Xhosa, indlu enkulu) may be constructed of sheet metal, rather than thatch.

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Vernacular architecture in the context of Trullo

A trullo (plural, trulli) is a traditional Apulian dry stone hut with a conical roof. Their style of construction is specific to the Itria Valley, in the Murge area of the Italian region of Apulia. Trulli were generally constructed as temporary field shelters and storehouses or as permanent dwellings by small proprietors or agricultural labourers. In the town of Alberobello, in the province of Bari, whole districts contain dense concentrations of trulli. The golden age of trulli was the nineteenth century, especially its final decades, which were marked by the development of wine growing.

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