Venatio (Latin: venatio, "hunting", plural venationes) was a type of entertainment in Roman amphitheaters involving the hunting and killing of wild animals.
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👉 Venatio in the context of Colosseum
The Colosseum (/ˌkɒləˈsiːəm/ KOL-ə-SEE-əm; Italian: Colosseo [kolosˈsɛːo], ultimately from Ancient Greek word "kolossos" meaning a large statue or giant) is an elliptical amphitheatre in the centre of the city of Rome, Italy, just east of the Roman Forum. It is the largest ancient amphitheatre ever built, and is the largest standing amphitheatre in the world. Construction began under the Emperor Vespasian (r. 69–79 AD) in 72 and was completed in AD 80 under his successor and heir, Titus (r. 79–81). Further modifications were made during the reign of Domitian (r. 81–96). The three emperors who were patrons of the work are known as the Flavian dynasty, and the amphitheatre was named the Flavian Amphitheatre (Latin: Amphitheatrum Flavium; Italian: Anfiteatro Flavio [aɱfiteˈaːtro ˈflaːvjo]) by later classicists and archaeologists for its association with their family name (Flavius).
The Colosseum is built of travertine limestone, tuff (volcanic rock), and brick-faced Roman concrete. It could hold an estimated 50,000 to 80,000 spectators at various points in its history, having an average audience of some 65,000; it was used for gladiatorial contests and public spectacles including animal hunts, executions, re-enactments of famous battles, dramas based on Roman mythology, and briefly mock sea battles. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.
In this Dossier
Venatio in the context of Ludi
Ludi (Latin for "games"; plural of ludus) were public games held for the benefit and entertainment of the Roman people (populus Romanus). Ludi were held in conjunction with, or sometimes as the major feature of, Roman religious festivals, and were also presented as part of the cult of state.
The earliest ludi were horse races in the circus (ludi circenses). Animal exhibitions with mock hunts (venationes) and theatrical performances (ludi scaenici) also became part of the festivals. Because some of these entertainments are not competitive "games", ludi may also be translated more generally as "shows".
Venatio in the context of Roman amphitheatre
Roman amphitheatres are theatres — large, circular or oval open-air venues with tiered seating — built by the ancient Romans. They were used for events such as gladiator combats, venationes (animal slayings) and executions. About 230 Roman amphitheatres have been found across the area of the Roman Empire. Early amphitheatres date from the Republican period, though they became more monumental during the Imperial era.
Amphitheatres are distinguished from circuses and hippodromes, which were usually rectangular and built mainly for racing events, and stadia, built for athletics, but several of these terms have at times been used for one and the same venue. The word amphitheatrum means "theatre all around". Thus, an amphitheatre is distinguished from the traditional semicircular Roman theatres by being circular or oval in shape.
Venatio in the context of Byzantine mosaic
Byzantine mosaics are mosaics produced from the 4th to 15th centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular and historically significant art forms produced in the empire, and they are still studied extensively by art historians. Although Byzantine mosaics evolved out of earlier Hellenistic and Roman practices and styles, craftspeople within the Byzantine Empire made important technical advances and developed mosaic art into a unique and powerful form of personal and religious expression that exerted significant influence on Islamic art produced in Umayyad and Abbasid Caliphates and the Ottoman Empire.
There are two main types of mosaic surviving from this period: wall mosaics in churches, and sometimes palaces, made using glass tesserae, sometimes backed by gold leaf for a gold ground effect, and floor mosaics that have mostly been found by archaeology. These often use stone pieces, and are generally less refined in creating their images. Survivals of secular wall-mosaics are few, but they show similar subject matter to floor mosaics, where many of the subjects are very similar in both churches and houses; it was not acceptable for images of sacred figures to be walked upon. Religious mosaics show similar subject matter to that found in other surviving religious Byzantine art in painted icons and manuscript miniatures. Floor mosaics often have images of geometrical patterns, often interspersed with animals. Scenes of hunting and venatio, arena displays where animals are killed, are popular.