Vanity is the excessive belief in one's own abilities or attractiveness compared to others. Prior to the 14th century, it did not have such narcissistic undertones, and merely meant futility. The related term vainglory is now often seen as an archaic synonym for vanity, but originally meant considering one's own capabilities and that God's help was not needed, i.e. unjustified boasting; although glory is now seen as having a predominantly positive meaning, the Latin term from which it derives, gloria, roughly means boasting, and was often used as a negative criticism.
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👉 Vanity in the context of Love
Love is an emotion involving strong attraction, affection, emotional attachment or concern for a person, animal, or thing. It is expressed in many forms, encompassing a range of strong and positive emotional and mental states, from the most sublime virtue, good habit, deepest interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love of food.
Love is considered to be both positive and negative, with its virtue representing kindness, compassion, and affection—"the unselfish, loyal, and benevolent concern for the good of another"—and its vice representing a moral flaw akin to vanity, selfishness, amour-propre, and egotism. It may also describe compassionate and affectionate actions towards other humans, oneself, or animals. In its various forms, love acts as a major facilitator of interpersonal relationships, and owing to its central psychological importance, is one of the most common themes in the creative arts. Love has been postulated to be a function that keeps human beings together against menaces and to facilitate the continuation of the species.
In this Dossier
Vanity in the context of Vanitas
Vanitas is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires. The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). Spanish painters working at the end of the Spanish Golden Age also created vanitas paintings.
Vanity in the context of Danse Macabre
The Danse Macabre (/dɑːns məˈkɑːb(rə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.
The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. It was produced as memento mori, to remind people of the fragility of their lives and the vanity of earthly glory. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme (apart from 14th century Triumph of Death paintings) was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Written in 1874 by the French composer Camille Saint-Saëns, Danse Macabre, Op. 40, is a haunting symphonic "poem" for orchestra. It premiered 24 January 1875.
Vanity in the context of Temperance (virtue)
Temperance in its modern use is defined as moderation or voluntary self-restraint. It is typically described in terms of what a person voluntarily refrains from doing. This includes restraint from revenge by practicing mercy and forgiveness, restraint from arrogance by practicing humility and modesty, restraint from excesses such as extravagant luxury or splurging, restraint from overindulgence in food and drink, and restraint from rage or craving by practicing calmness and equanimity. The distinction between temperance and self-control is subtle. A person who exhibits self-control wisely refrains from giving in to unwise desires. A person who exhibits temperance does not have unwise desires in the first place because they have wisely shaped their character in such a way that their desires are proper ones. Aristotle suggested this analogy: An intemperate person is like a city with bad laws; a person who lacks self control is like a city that has good laws on the books but doesn’t enforce them.
Temperance has been described as a virtue by religious thinkers, philosophers, and more recently, psychologists, particularly in the positive psychology movement. It has a long history in philosophical and religious thought. It is generally characterized as the control over excess, and expressed through characteristics such as chastity, modesty, humility, self-regulation, hospitality, decorum, abstinence, and forgiveness; each of these involves restraining an excess of some impulse, such as sexual desire, vanity, or anger. In classical iconography, the virtue is often depicted as a woman holding two vessels transferring water from one to another. It is one of the cardinal virtues in western thought, and is found in Greek philosophy and Christianity, as well as in Eastern traditions such as Buddhism and Hinduism.
Vanity in the context of Amour-propre
Amour-propre (French: [amuʁ pʁɔpʁ]; lit. 'self-love') is a French term that can be variously translated as "self-love", "self-esteem", or "vanity". In philosophy, it is a term used by Jean-Jacques Rousseau, who contrasts it with another kind of self-love, which he calls amour de soi.
Vanity in the context of Appeal to flattery
Appeal to flattery is a fallacy in which a person uses flattery, excessive compliments, in an attempt to appeal to their audience's vanity to win support for their side. It is also known as apple polishing, wheel greasing, brown nosing, appeal to pride, appeal to vanity or argumentum ad superbiam. The appeal to flattery is a specific kind of appeal to emotion.
Flattery is often used to hide the true intent of an idea or proposal. Praise offers a momentary personal distraction that can often weaken judgment. Moreover, it is usually a cunning form of appeal to consequences, since the audience is subject to be flattered as long as they comply with the flatterer.
Vanity in the context of Self-love
Self-love, defined as "love of self" or "regard for one's own happiness or advantage", has been conceptualized both as a basic human necessity and as a moral flaw, akin to vanity and selfishness, synonymous with amour-propre, conceitedness, egotism, narcissism, et al. However, throughout the 20th and 21st centuries self-love has adopted a more positive connotation through pride parades, Self-Respect Movement, self-love protests, the hippie era, the modern feminist movement (3rd & 4th wave), as well as the increase in mental health awareness that promotes self-love as intrinsic to self-help and support groups working to prevent substance abuse and suicide.