Uncle Sam in the context of "National personification"

The civilizing mission (Spanish: misión civilizadora; Portuguese: Missão civilizadora; French: Mission civilisatrice) is a political rationale for military intervention and for colonization purporting to facilitate the cultural assimilation of indigenous peoples, especially in the period from the 15th to the 20th centuries. As a principle of Western culture, the term was most prominently used in justifying French colonialism in the late-15th to mid-20th centuries. The civilizing mission was the cultural justification for the colonization of French Algeria, French West Africa, French Indochina, Portuguese Angola and Portuguese Guinea, Portuguese Mozambique and Portuguese Timor, among other colonies. The civilizing mission also was a popular justification for the British and German colonialism. In the Russian Empire, it was also associated with the Russian conquest of Central Asia and the Russification of that region. The Western colonial powers claimed that, as Christian nations, they were duty bound to disseminate Western civilization to what they perceived as heathen, primitive cultures. It was also applied by the Empire of Japan, which colonized Korea.

Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis or perception, or using loaded language to produce an emotional rather than a rational response to the information that is being presented. Propaganda can be found in a wide variety of different contexts.

Beginning in the twentieth century, the English term propaganda became associated with a manipulative approach, but historically, propaganda had been a neutral descriptive term of any material that promotes certain opinions or ideologies.

The century of humiliation (simplified Chinese: 百年国耻; traditional Chinese: 百年國恥; pinyin: bǎinián guóchǐ) was a period in Chinese history beginning with the First Opium War (1839–1842), and ending in 1945 with China (then the Republic of China) emerging out of the Second World War as one of the Big Four and established as a permanent member of the United Nations Security Council, or alternatively, ending in 1949 with the founding of the People's Republic of China. The century-long period is typified by the decline, defeat and political fragmentation of the Qing dynasty and the subsequent Republic of China, which led to demoralizing foreign intervention, annexation and subjugation of China by Western powers, Russia, and Japan.

The characterization of the period as a "humiliation" arose with an atmosphere of Chinese nationalism following China's defeat in the First Sino-Japanese War of 1894–1895 and the subsequent events including the scramble for concessions in the late 1890s. Since then the idea of national humiliation became a focus of discussions among many Chinese writers and scholars, although they differed somewhat in their understandings of national humiliation; ordinary scholars and constitutionalists also had different understanding of their home country from the anti-Qing revolutionaries in the late Qing period. The idea of national humiliation was also mentioned in late Qing textbooks.

"The White Man's Burden" (1899), by Rudyard Kipling, is a poem about the Philippine–American War (1899–1902) that exhorts the United States to assume colonial control of the Filipino people and their country.

In "The White Man's Burden", Kipling encouraged the American annexation and colonisation of the Philippine Islands, a Pacific Ocean archipelago purchased in the three-month Spanish–American War (1898). As an imperialist poet, Kipling exhorts the American reader and listener to take up the enterprise of empire yet warns about the personal costs faced, endured, and paid in building an empire; nonetheless, American imperialists understood the phrase "the white man's burden" to justify imperial conquest as a civilising mission that is ideologically related to the continental expansion philosophy of manifest destiny of the early 19th century. With a central motif of the poem being the superiority of white men, it has long been criticised as a racist poem.

The Monroe Doctrine is a United States foreign policy position that opposes European colonialism in the Western Hemisphere. It holds that any intervention in the political affairs of the Americas by foreign powers is a potentially hostile act against the United States. The doctrine was central to American grand strategy in the 20th century.

President James Monroe first articulated the doctrine on December 2, 1823, during his seventh annual State of the Union Address to Congress (though it was not named after him until 1850). At the time, nearly all Spanish colonies in the Americas had either achieved or were close to independence. Monroe asserted that the New World and the Old World were to remain distinctly separate spheres of influence, and thus further efforts by European powers to control or influence sovereign states in the region would be viewed as a threat to U.S. security. In turn, the United States would recognize and not interfere with existing European colonies nor meddle in the internal affairs of European countries.

Anti-German sentiment (also known as anti-Germanism, Germanophobia or Teutophobia) is fear or dislike of Germany, its people, and its culture. Its opposite is Germanophilia.

Traces of anti-German sentiment can be found in the High Middle Ages, with Ekkehard of Aura and Odo of Deuil writing about frictions between the Germans and the French. After Germany completed its unification in 1871, anti-Germanism grew among the other great powers, fueled largely by fears of Germany's rapid industrialisation. Germanophobia reached its height in the Allied countries during World War I and World War II. Anti-German and anti-Austrian sentiments were generally held together, as Austrians worked with and were involved in the German military, especially in Nazi Germany, with most Austrians considering themselves German until the end of World War II in Europe.

James Montgomery Flagg (June 18, 1877 – May 27, 1960) was an American artist, comics artist, and illustrator. He worked in media ranging from fine art painting to cartooning, but is best remembered for his political posters, particularly his 1917 poster of Uncle Sam created for United States Army recruitment during World War I.