Umberto Eco in the context of "Encoding/decoding model of communication"

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⭐ Core Definition: Umberto Eco

Umberto Eco OMRI (5 January 1932 – 19 February 2016) was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel The Name of the Rose, a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as Foucault's Pendulum, his 1988 novel which touches on similar themes.

Eco wrote prolifically throughout his life, with his output including children's books, translations from French and English, in addition to a twice-monthly newspaper column "La Bustina di Minerva" (Minerva's Matchbook) in the magazine L'Espresso beginning in 1985, with his last column (a critical appraisal of the Romantic paintings of Francesco Hayez) appearing 27 January 2016. At the time of his death, he was an Emeritus professor at the University of Bologna, where he taught for much of his life. In the 21st century, he has continued to gain recognition for his 1995 essay "Ur-Fascism", where Eco lists fourteen general properties he believes comprise fascist ideologies.

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👉 Umberto Eco in the context of Encoding/decoding model of communication

The encoding/decoding model of communication emerged in rough and general form in 1948 in Claude E. Shannon's "A Mathematical Theory of Communication," where it was part of a technical schema for designating the technological encoding of signals. Gradually, it was adapted by communications scholars, most notably Wilbur Schramm, in the 1950s, primarily to explain how mass communications could be effectively transmitted to a public, its meanings intact by the audience (i.e., decoders). As the jargon of Shannon's information theory moved into semiotics, notably through the work of thinkers Roman Jakobson, Roland Barthes, and Umberto Eco, who in the course of the 1960s began to put more emphasis on the social and political aspects of encoding. It became much more widely known, and popularised, when adapted by cultural studies scholar Stuart Hall in 1973, for a conference addressing mass communications scholars. In a Marxist twist on this model, Stuart Hall's study, titled 'Encoding and Decoding in the Television Discourse', offered a theoretical approach to how media messages are produced, disseminated, and interpreted. Hall proposed that audience members can play an active role in decoding messages as they rely on their own social contexts and capability of changing messages through collective action.

Thus, encoding/decoding is the translation needed for a message to be easily understood. When you decode a message, you extract the meaning of that message in ways to simplify it. Decoding has both verbal and non-verbal forms of communication: Decoding behavior without using words, such as displays of non-verbal communication. There are many examples, including observing body language and its associated emotions, e.g. monitoring signs when someone is upset, angry, or stressed where they use excessive hand/arm movements, crying, and even silence. Moreover, there are times when an individual can send a message across to someone, the message can be interpreted differently from person to person. Decoding is all about understanding others, based on the information given throughout the message being received. Whether there is a large audience or exchanging a message to one person, decoding is the process of obtaining, absorbing and sometimes utilizing information that was given throughout a verbal or non-verbal message.

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Umberto Eco in the context of Montferrat

Montferrat (UK: /ˌmɒntfəˈræt/ MONT-fə-RAT, US: /-ˈrɑːt/ -⁠RAHT; Italian: Monferrato [moɱferˈraːto]; Piedmontese: Monfrà, locally [mʊŋˈfrɒ]; Latin: Mons Ferratus) is a historical region of Piedmont, in northern Italy. It comprises roughly (and its extent has varied over time) the modern provinces of Alessandria and Asti. Montferrat is one of the most important wine districts of Italy. It also has a strong literary tradition, including the 18th-century Asti-born poet and dramatist Vittorio Alfieri and the Alessandrian Umberto Eco.

The territory is cut in two by the river Tanaro. The northern part (the Basso Monferrato, "Low Montferrat"), which lies between that river and the Po, is an area of rolling hills and plains. The southern part (the Alto Monferrato, "High Montferrat") rises from the banks of the Tanaro into the mountains of the Apennines and the water divide between Piedmont and Liguria.

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Umberto Eco in the context of Ernst Gombrich

Sir Ernst Hans Josef Gombrich OM CBE FBA (/ˈɡɒmbrɪk/; German: [ˈgɔmbʁɪç]; 30 March 1909 – 3 November 2001) was an Austrian-born art historian who, after settling in England in 1936, became a naturalised British citizen in 1947 and spent most of his working life in the United Kingdom.

Ernst Gombrich was the author of many works of cultural history and art history, most notably The Story of Art, a book widely regarded as one of the most accessible introductions to the visual arts, and Art and Illusion, a major work in the psychology of perception that influenced thinkers as diverse as Carlo Ginzburg, Nelson Goodman, Umberto Eco, and Thomas Kuhn.

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Umberto Eco in the context of The Name of the Rose

The Name of the Rose (Italian: Il nome della rosa [il ˈnoːme della ˈrɔːza]) is the 1980 debut novel by Italian author Umberto Eco. It is a historical murder mystery set in an Italian monastery in 1327, and an intellectual mystery combining semiotics in fiction, biblical analysis, medieval studies, and literary theory. It was translated into English by William Weaver in 1983.

The novel has sold over 50 million copies worldwide, becoming one of the best-selling books ever published. It has received many international awards and accolades, such as the Strega Prize in 1981 and Prix Medicis Étranger in 1982, and was ranked 14th on Le Monde's 100 Books of the Century list.

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Umberto Eco in the context of Foucault's Pendulum

Foucault's Pendulum (original title: Il pendolo di Foucault [il ˈpɛndolo di fuˈko]) is a novel by Italian writer and philosopher Umberto Eco. It was first published in 1988, with an English translation by William Weaver being published a year later.

The book is divided into segments represented by the ten Sefiroth. It is satirical, being full of esoteric references to Kabbalah, alchemy, and conspiracy theories, to the point that critic and novelist Anthony Burgess suggested that it needed an index. The pendulum of the title refers to an actual pendulum designed by French physicist Léon Foucault to demonstrate Earth's rotation, which has symbolic significance within the novel. Some believe that it refers to Michel Foucault, given the author's friendship with him, but Eco "specifically rejects any intentional reference to Michel Foucault"—this being regarded as another subtle literary joke.

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Umberto Eco in the context of Ur-Fascism

"Ur-Fascism" or "Eternal Fascism: Fourteen Ways of Looking at a Blackshirt" (Italian: Il fascismo eterno, or Ur-Fascismo) is an essay authored by the Italian philosopher, novelist, and semiotician Umberto Eco. First published in 1995, this influential essay provides an analysis of fascism, a definition of fascism, and discusses the fundamental characteristics and traits of fascism. Drawing on Eco's personal experiences growing up under Mussolini's Italian fascism and his extensive research on fascist movements, the essay offers his insights into the nature of fascism and its manifestations.

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