Ultrahydrophobicity in the context of "Symmetry breaking"

Play Trivia Questions online!

or

Skip to study material about Ultrahydrophobicity in the context of "Symmetry breaking"




⭐ Core Definition: Ultrahydrophobicity

In chemistry and materials science, ultrahydrophobic (or superhydrophobic) surfaces are highly hydrophobic, i.e., extremely difficult to wet. The contact angles of a water droplet on an ultrahydrophobic material exceed 150°. This is also referred to as the lotus effect, after the superhydrophobic leaves of the lotus plant. A droplet striking these kinds of surfaces can fully rebound like an elastic ball. Interactions of bouncing drops can be further reduced using special superhydrophobic surfaces that promote symmetry breaking, pancake bouncing or waterbowl bouncing.

↓ Menu

In this Dossier

Ultrahydrophobicity in the context of Lotus effect

The lotus effect refers to self-cleaning properties that are a result of ultrahydrophobicity as exhibited by the leaves of Nelumbo, the lotus flower. Dirt particles are picked up by water droplets due to the micro- and nanoscopic architecture on the surface, which minimizes the droplet's adhesion to that surface. Ultrahydrophobicity and self-cleaning properties are also found in other plants, such as Tropaeolum (nasturtium), Opuntia (prickly pear), Alchemilla, cane, and also on the wings of certain insects.

The phenomenon of ultrahydrophobicity was first studied by Dettre and Johnson in 1964 using rough hydrophobic surfaces. Their work developed a theoretical model based on experiments with glass beads coated with paraffin or PTFE telomer. The self-cleaning property of ultrahydrophobic micro-nanostructured surfaces was studied by Wilhelm Barthlott and Ehler in 1977, who described such self-cleaning and ultrahydrophobic properties for the first time as the "lotus effect"; perfluoroalkyl and perfluoropolyether ultrahydrophobic materials were developed by Brown in 1986 for handling chemical and biological fluids. Other biotechnical applications have emerged since the 1990s.

↑ Return to Menu

Ultrahydrophobicity in the context of Wilhelm Barthlott

Wilhelm Barthlott (born 22 June 1946 in Forst, Germany) is a German botanist and biomimetic materials scientist. His official botanical author citation is Barthlott.

Barthlott's areas of specialization are biodiversity (global distribution, assessment, and change in biodiversity) and bionics/biomimetics (in particular, superhydrophobic biological surfaces and their technical applications).

↑ Return to Menu

Ultrahydrophobicity in the context of Lotus throne

The lotus throne, sometimes called lotus platform, is a stylized lotus flower used as the seat or base for a figure in art associated with Indian religions. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular.

The precise form varies, but is intended to represent the opening flower of Nelumbo nucifera, the Indian lotus. In the traditional biographies lotus flowers sprung up at the Buddha's first seven steps, and in some Buddhist legends the baby Padmasambhava emerged from a lotus flower. The Indian lotus is an aquatic plant similar to a water lily, though not actually any close relation. It has a large, round, and flat seed head in the centre of the flower, with initially small openings above each of the relatively small number of seeds. Among other unusual characteristics, nelumbo nucifera has particular properties of repelling water, known as the lotus effect or ultrahydrophobicity. Among other symbolic meanings, it rises above the water environment it lives in, and is not contaminated by it, so providing a model for Buddhists. According to the Pali Canon, the Buddha himself began this often-repeated metaphor, in the Aṅguttara Nikāya, saying that the lotus flower raises from the muddy water unstained, as he raises from this world, free from the defilements taught in the sutra.

↑ Return to Menu