Typology (archaeology) in the context of "Chaîne opératoire"

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⭐ Core Definition: Typology (archaeology)

In archaeology, a typology is the result of the classification of things according to their physical characteristics. The products of the classification, i.e. the classes, are also called types. Most archaeological typologies organize portable artifacts into types, but typologies of larger structures, including buildings, field monuments, fortifications or roads, are equally possible. A typology helps to manage a large mass of archaeological data. According to Doran and Hodson, "this superficially straightforward task has proved one of the most time consuming and contentious aspects of archaeological research".

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👉 Typology (archaeology) in the context of Chaîne opératoire

Chaîne opératoire (French: [ʃɛn‿ɔpeʁatwaʁ]; lit.'operational chain' or 'operational sequence') is a term used throughout anthropological discourse, most commonly in archaeology and sociocultural anthropology. The term denotes a description of the stages of production of material culture—especially pottery and stone tools made through lithic reduction—from raw material acquisition to tool production to use to abandonment.

The chaîne opératoire was born out of archaeologists' interest in elevating lithic analysis beyond simple typology. Building an object's chaîne opératoire is an important methodological tool. In a chaîne opératoire approach, archaeologists create a full biography of technologies, attempting to understand their craftsmanship and use in different social groups. By understanding the processes and construction of tools, archaeologists can better determine the evolution of technology, model human behavior, and understand the development of ancient cultures. As archaeologists come to understand an object's chaîne opératoire, they better understand human choices and technical traditions.

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Typology (archaeology) in the context of Type site

In archaeology, a type site (American English) or type-site (British English) is the site used to define a particular archaeological culture or other typological unit, which is often named after it. For example, discoveries at La Tène and Hallstatt led scholars to divide the European Iron Age into the La Tène culture and Hallstatt culture, named after their respective type sites.

The concept is similar to type localities in geology and type specimens in biology.

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Typology (archaeology) in the context of Scaraboid seal

Scarabs are amulets and impression seals shaped according to the eponymous beetles, which were widely popular throughout ancient Egypt. They survive in large numbers today, and through their inscriptions and typology, these artifacts prove to be an important source of information for archaeologists and historians of ancient Egypt, representing a significant body of its art.

Though primarily worn as amulets and sometimes rings, scarabs were also inscribed for use as personal or administrative seals or were incorporated into other kinds of jewelry. Some scarabs were created for political or diplomatic purposes to commemorate or advertise royal achievements. Additionally, scarabs held religious significance and played a role in Egyptian funerary practices.

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Typology (archaeology) in the context of Industry (archaeology)

In the archaeology of the Stone Age, an industry or technocomplex is a typological classification of stone tools.

An industry consists of a number of lithic assemblages, typically including a range of different types of tools, that are grouped together on the basis of shared technological or morphological characteristics. For example, the Acheulean industry includes hand-axes, cleavers, scrapers and other tools with different forms, but which were all manufactured by the symmetrical reduction of a bifacial core producing large flakes. Industries are usually named after a type site where these characteristics were first observed (e.g. the Mousterian industry is named after the site of Le Moustier). By contrast, Neolithic axeheads from the Langdale axe industry were recognised as a type well before the centre at Great Langdale was identified by finds of debitage and other remains of the production, and confirmed by petrography (geological analysis). The stone was quarried and rough axe heads were produced there, to be more finely worked and polished elsewhere.

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Typology (archaeology) in the context of Morphology (archaeology)

In archaeology, morphology is the study of the shape of artefacts and ecofacts.

Morphology is a major consideration in grouping artefacts into period styles and, despite modern techniques like radiocarbon dating, remains a crucial tool in the identification and dating not only of works of art but all classes of archaeological artefact, including purely functional ones (ignoring the question of whether purely functional artefacts exist). The term morphology ("study of shapes", from the Greek) is more often used for this. Morphological analyses of many individual artefacts are used to construct typologies for different types of artefact, and by the technique of seriation a relative dating based on shape and style for a site or group of sites is achieved where scientific absolute dating techniques cannot be used, in particular where only stone, ceramic or metal artefacts or remains are available, which is often the case. That artefacts such as pottery very often survive only in fragments makes precise knowledge of morphology even more necessary, as it is often necessary to identify and date a piece of pottery from only a few sherds.

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