American frontier in the context of "Western film"

⭐ In the context of Western film, the American frontier is considered…

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⭐ Core Definition: American frontier

The American frontier, also known as the Old West, and popularly known as the Wild West, encompasses the geography, history, folklore, and culture associated with the forward wave of American expansion in mainland North America that began with European colonial settlements in the early 17th century and ended with the admission of the last few contiguous western territories as states in 1912. This era of massive migration and settlement was particularly encouraged by President Thomas Jefferson following the Louisiana Purchase, giving rise to the expansionist attitude known as "manifest destiny" and historians' "Frontier Thesis". The legends, historical events and folklore of the American frontier, known as the frontier myth, have embedded themselves into United States culture so much so that the Old West, and the Western genre of media specifically, has become one of the defining features of American national identity.

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šŸ‘‰ American frontier in the context of Western film

The Western is a film genre defined by the American Film Institute as films which are "set in the American West that [embody] the spirit, the struggle, and the demise of the new frontier." Generally set in the American frontier between the California Gold Rush of 1849 and the closing of the frontier in 1890, the genre also includes many examples of stories set in locations outside the frontier – including Northern Mexico, the Northwestern United States, Alaska, and Western Canada – as well as stories that take place before 1849 and after 1890. Western films comprise part of the larger Western genre, which encompasses literature, music, television, and plastic arts.

Western films derive from the Wild West shows that began in the 1870s. Originally referred to as "Wild West dramas", the shortened term "Western" came to describe the genre. Although other Western films were made earlier, The Great Train Robbery (1903) is often considered to mark the beginning of the genre. Westerns were a major genre during the silent era (1894–1929) and continued to grow in popularity during the sound era (post–1929).

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American frontier in the context of Abraham Lincoln

Abraham Lincoln (February 12, 1809 – April 15, 1865) was the 16th president of the United States, serving from 1861 until his assassination in 1865. He led the United States through the American Civil War, defeating the Confederate States and playing a major role in the abolition of slavery.

Lincoln was born into poverty in Kentucky and raised on the frontier. He was self-educated and became a lawyer, Illinois state legislator, and U.S. representative. Angered by the Kansas–Nebraska Act of 1854, which opened the territories to slavery, he became a leader of the new Republican Party. He reached a national audience in the 1858 Senate campaign debates against Stephen A. Douglas. Lincoln won the 1860 presidential election, prompting a majority of slave states to begin to secede and form the Confederate States. A month after Lincoln assumed the presidency, Confederate forces attacked Fort Sumter, starting the Civil War.

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American frontier in the context of Western United States

The Western United States (also called the American West, the Western States, the Far West, the Western territories, and the West) is one of the four census regions defined by the United States Census Bureau.

As American settlement in the U.S. expanded westward, the meaning of the term the West changed. Before around 1800, the crest of the Appalachian Mountains was seen as the western frontier. The frontier moved westward and eventually the lands west of the Mississippi River were considered the West.

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American frontier in the context of Frontier thesis

The Frontier Thesis, also known as Turner's Thesis or American frontierism, is the argument by historian Frederick Jackson Turner in 1893 that the settlement and colonization of the rugged American frontier was decisive in forming the culture of American democracy and distinguishing it from European nations. He stressed the process of "winning a wilderness" to extend the frontier line further for U.S. colonization, and the impact this had on pioneer culture and character. Turner's text takes the ideas behind Manifest Destiny and uses them to explain how American culture came to be. The features of this unique American culture included democracy, egalitarianism, uninterest in bourgeois or high culture, and an ever-present potential for violence. "American democracy was born of no theorist's dream; it was not carried in the Susan Constant to Virginia, nor in the Mayflower to Plymouth. It came out of the American forest, and it gained new strength each time it touched a new frontier," wrote Turner.

In this view, the frontier experience established the distinctively American style of liberty contrasted to deferential European mindsets still affected by the expectations of feudalism. It eroded old, dysfunctional customs. Turner's ideal of frontier had no need for standing armies, established churches, aristocrats, or nobles; there was no landed gentry who controlled the land or charged heavy rents and fees. Rather, pioneers went and claimed territory for themselves using only loose organizations, and the toughness of the experience gave them discipline and self-sufficiency that would be handed down over generations, even after the frontier advanced beyond the old boundaries. The Frontier Thesis was first published in a paper entitled "The Significance of the Frontier in American History", delivered to the American Historical Association in 1893 in Chicago. He won wide acclaim among historians and intellectuals. Turner elaborated on the theme in his advanced history lectures and in a series of essays published over the next 25 years, published along with his initial paper as The Frontier in American History.

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American frontier in the context of Tall tale

A tall tale is a story with unbelievable elements, related as if it were true and factual. Some tall tales are exaggerations of actual events, for example fish stories ("the fish that got away") such as, "That fish was so big, why I tell ya', it nearly sank the boat when I pulled it in!" Other tall tales are completely fictional tales set in a familiar setting, such as the European countryside, the American frontier, the Canadian Northwest, the Australian outback, or the beginning of the Industrial Revolution.

Events are often told in a way that makes the narrator seem to have been a part of the story; the tone is generally good-natured. Legends are differentiated from tall tales primarily by age; many legends exaggerate the exploits of their heroes, but in tall tales the exaggeration looms large, to the extent of dominating the story.

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American frontier in the context of George Catlin

George Catlin (/kƦtlÉŖn/ KAT-lin; July 26, 1796 – December 23, 1872) was an American lawyer, painter, author, and traveler, who specialized in portraits of Native Americans in the American frontier. Traveling to the American West five times during the 1830s, Catlin wrote about and painted portraits that depicted the life of the Plains Indians. His early work included engravings, drawn from nature, of sites along the route of the Erie Canal in New York State. Several of his renderings were published in one of the first printed books to use lithography, Cadwallader D. Colden's Memoir, Prepared at the Request of a Committee of the Common Council of the City of New York, and Presented to the Mayor of the City, at the Celebration of the Completion of the New York Canals, published in 1825, with early images of the City of Buffalo.

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American frontier in the context of Homestead Acts

The Homestead Acts were several laws in the United States by which an applicant could acquire ownership of government land or the public domain, typically called a homestead. In all, more than 160Ā million acres (650Ā thousandĀ km; 250Ā thousandĀ sqĀ mi) of public land, or nearly 10Ā percent of the total area of the United States, were given away free to 1.6Ā million homesteaders; most of the homesteads were west of the Mississippi River.

An extension of the homestead principle in law, the Homestead Acts were an expression of the Free Soil policy of Northerners who wanted individual farmers to own and operate their own farms, as opposed to Southern slave owners who wanted to buy up large tracts of land and use slave labor, thereby shutting out free white farmers.

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American frontier in the context of Missouri in the American Civil War

During the American Civil War, Missouri was a hotly contested southern border state populated by both Union and Confederate sympathizers. It sent armies, generals, and supplies to both sides, maintained dual governments, and endured a bloody neighbor-against-neighbor intrastate war within the larger national war.

A slave state since statehood in 1821, Missouri's geographic position in the central region of the country and at the rural edge of the American frontier ensured that it remained a divisive battleground for competing Northern and Southern ideologies in the years preceding the war. When the war began in 1861, it became clear that control of the Mississippi River and the burgeoning economic hub of St. Louis would make Missouri a strategic territory in the Trans-Mississippi Theater.

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American frontier in the context of Andrew Jackson

Andrew Jackson (March 15, 1767 – June 8, 1845) was the seventh president of the United States from 1829 to 1837. He rose to fame as a U.S. Army general and served in both houses of the U.S. Congress. His political philosophy, which dominated his presidency, became the basis for the rise of Jacksonian democracy. His legacy is controversial: he has been praised as an advocate for working Americans and preserving the union of states, and criticized for his racist policies, particularly towards Native Americans. He was also the founder of, and first president from, the Democratic Party, which dominates American politics to this day along with the Republican Party.

Jackson was born in the colonial Carolinas before the American Revolutionary War. He became a frontier lawyer and married Rachel Donelson Robards. He briefly served in the U.S. House of Representatives and the U.S. Senate, representing Tennessee. After resigning, he served as a justice on the Tennessee Superior Court from 1798 to 1804. He purchased a plantation later known as the Hermitage, becoming a wealthy planter who profited off the forced labor of hundreds of enslaved African Americans during his lifetime. In 1801, he was appointed colonel of the Tennessee militia and was elected its commander. He led troops during the Creek War of 1813–1814, winning the Battle of Horseshoe Bend and negotiating the Treaty of Fort Jackson that required the indigenous Creek population to surrender vast tracts of the present-day U.S. states of Alabama and Georgia. In the concurrent war against the British, Jackson's victory at the Battle of New Orleans in 1815 made him a national hero. He later commanded United States forces during the First Seminole War against the Seminoles and other allied Native groups. This campaign was one of the factors that prompted Spain to negotiate the cession of Florida to the United States, which was finalized in the Adams–OnĆ­s Treaty of 1819, in exchange for United States renunciation of territorial claims. He briefly served as Florida's first territorial governor before returning to the Senate. He ran for president in 1824. He won a plurality of the popular and electoral vote, but no candidate won the electoral majority. With the help of Henry Clay, the House of Representatives elected John Quincy Adams as president. Jackson's supporters alleged that there was a "corrupt bargain" between Adams and Clay (who joined Adams' cabinet) and began creating a new political coalition that became the Democratic Party in the 1830s.

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