Trope (literature) in the context of "David Foster Wallace"

A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). In the distinction between literal and figurative language, figures of speech constitute the latter. Figures of speech are traditionally classified into schemes, which vary the ordinary sequence of words, and tropes, where words carry a meaning other than what they ordinarily signify.

An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and". An example of a trope is the metaphor, describing one thing as something it clearly is not, as a way to illustrate by comparison, as in "All the world's a stage."

Metalepsis (from Ancient Greek: μετάληψις, metálēpsis) is a figure of speech in which a word or a phrase from figurative speech is used in a new context. Ancient Roman academic Quintilian described metalepsis as an "intermediate step" to the original phrase, and its meaning depends upon its connection to the idiom from which it derives. Harold Bloom called metalepsis a "metonymy of a metonymy" because it uses part of an established trope to refer to the whole.

In rhetoric, a scheme is a type of figure of speech that relies on the structure of the sentence, unlike the trope, which plays with the meanings of words.

A single phrase may involve both a trope and a scheme, e.g., may use both alliteration and allegory.

Nostalgia is sentimental longing for the past, typically for a period or place with happy personal associations. The word nostalgia is a neoclassical compound derived from Greek, consisting of νόστος (nóstos), a Homeric word meaning "homecoming", and ἄλγος (álgos), meaning "pain"; the word was coined by a 17th-century medical student to describe the anxieties displayed by Swiss mercenaries fighting away from home. Described as a medical condition—a form of melancholy—in the early modern period, it became an important trope in Romanticism.

Nostalgia is associated with a longing for the past, its personalities, possibilities, and events, especially the "good old days" or a "warm childhood". There is a predisposition, caused by cognitive biases such as rosy retrospection, for people to view the past more positively and the future more negatively. When applied to one's beliefs about a society or institution, this is called declinism, which has been described as "a trick of the mind" and as "an emotional strategy, something comforting to snuggle up to when the present day seems intolerably bleak".

Memento mori (Latin for "remember (that you have) to die") is an artistic symbol or trope acting as a reminder of the inevitability of death. The concept has its roots in the philosophers of classical antiquity and Christianity, and appeared in funerary art and architecture from the medieval period onwards.

The most common motif is a skull, often accompanied by bones. Often, this alone is enough to evoke the trope, but other motifs include a coffin, hourglass, or wilting flowers to signify the impermanence of life. Often, these would accompany a different central subject within a wider work, such as portraiture; however, the concept includes standalone genres such as the vanitas and Danse Macabre in visual art and cadaver monuments in sculpture.

As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."

Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel Don Quixote. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word medieval evokes knights, damsels in distress, dragons, and other romantic tropes.

A folk hero or national hero is a type of hero – real, fictional or mythological – with their name, personality and deeds embedded in the popular consciousness of a people, mentioned frequently in folk songs, folk tales and other folklore; and with modern trope status in literature, art and films.

The damsel in distress is a narrative device in which one or more men must rescue a woman who has been kidnapped or placed in other peril. The "damsel" is often portrayed as beautiful, popular, and of high social status; she is usually depicted as a princess in works with fantasy or fairy tale settings. Kinship, love, lust or a combination of those motivate the male protagonist to initiate the narrative, and potentially become a hero of valour.

Critics have linked the helplessness of these women to societal views that women as a group need to be taken care of by men and treated nicely. Throughout the history of the trope, the role of the woman as the victim in need of a male savior has remained constant, but her attackers have changed to suit the tastes and collective fears of the period: "monsters, mad scientists, Nazis, hippies, bikers, aliens..."