Trick film in the context of "Walter R. Booth"

A Trip to the Moon (French: Le Voyage dans la Lune [lə vwajaʒ dɑ̃ la lyn], transl. "The Journey to the Moon") is a 1902 French science-fiction adventure trick film written, directed and produced by Georges Méliès. Inspired by the Jules Verne novel From the Earth to the Moon (1865) and its sequel Around the Moon (1870), the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Méliès leads an ensemble cast of French theatrical performers as the main character Professor Barbenfouillis.

Although the film disappeared into obscurity (after Méliès's retirement from the film industry) it was rediscovered around 1930, when Méliès's importance to the history of cinema was beginning to be recognised by film devotees. An original hand-colored print was discovered in 1993, and restored in 2011.

Marie-Georges-Jean Méliès (/meɪlˈjɛs/ mayl-YES, French: [maʁi ʒɔʁʒ ʒɑ̃ meljɛs]; 8 December 1861 – 21 January 1938) was a French filmmaker, actor, magician, and toymaker. He led many technical and narrative developments in the early days of cinema, primarily in the fantasy and science fiction genres. Méliès rose to prominence creating "trick films" and became well known for his innovative use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards in his work. His most important films include A Trip to the Moon (1902) and The Impossible Voyage (1904).

Gaston Velle (1868–1953) was a French silent film director and pioneer of special effects, who was prominent in early French and Italian cinema during the first two decades of the 20th century. Like his father, the Hungarian entertainer Joseph "Professor" Velle, Gaston began his career as a travelling magician, before putting his illusionist skills to work in cinema and ultimately creating more than fifty films between 1903 and 1911. He worked under Auguste and Louis Lumière, before serving as the head of production for the Italian film studio Cines. But he is best remembered for his work at Pathé, where he was hired to produce trick films that might rival those of his contemporary, Georges Méliès, including classic shorts like Burglars at Work (1904). Some films pioneered lasting techniques, such as his Les Invisibles (1906) – the first known invisible man film.

Velle also created some of the first féerie films, such as tit-for-tat (1906). Additionally, Velle collaborated with other directors such as Segundo de Chomon and Ferdinand Zecca to create such silent film classics as the Moon Lover (1905), the Raja's Casket (1906), and the Hen that Laid the Golden Egg (1905), the latter of which was featured in the 1997 Martin Scorsese film, Kundun.

The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear path, with the genre changing through the decades, based on the state of cinema, audience tastes and contemporary world events.

Films before the 1930s, such as early German expressionist cinema and trick films, have been retrospectively described as horror films, since the genre did not become codified until the release of Dracula (1931). Dracula was a box office success, leading Universal and several other American film studios to develop and popularise horror films well into the 1940s. By the 1950s, horror was often made with science fiction themes, and towards the end of the decade horror was a more common genre of international productions.

The Playhouse is a 1921 American two-reel silent comic trick film written by, directed by, and starring Buster Keaton. It runs for 22 minutes, and is most famous for an opening sequence where Keaton plays every role.