Tournai in the context of "Table bridge"

Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523, although many scholars extend it to the beginning of the Dutch Revolt in 1566 or 1568 – Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Northern painters traveled to Italy, Renaissance ideals and painting styles were incorporated into northern painting. As a result, Early Netherlandish painters are often categorised as belonging to both the Northern Renaissance and the Late or International Gothic.

The major Netherlandish painters include Campin, van Eyck, Rogier van der Weyden, Dieric Bouts, Petrus Christus, Hans Memling, Hugo van der Goes and Hieronymus Bosch. These artists made significant advances in natural representation and illusionism, and their work typically features complex iconography. Their subjects are usually religious scenes or small portraits, with narrative painting or mythological subjects being relatively rare. Landscape is often richly described but relegated as a background detail before the early 16th century. The painted works are generally oil on panel, either as single works or more complex portable or fixed altarpieces in the form of diptychs, triptychs or polyptychs. The period is also noted for its sculpture, tapestries, illuminated manuscripts, stained glass and carved retables.

Chlodio (also Clodio, Clodius, Clodion, Cloio or Chlogio, probably died after 450), was a Frankish king who attacked and then apparently ruled Roman-inhabited lands around Cambrai and Tournai, near the modern border of Belgium and France. Very little is known about him, and he is mentioned only briefly in a small number of much later records.

His conquests gave him influence probably reached as far south as the River Somme. It represented an important change, extending Frankish rule more deeply within the Roman Empire, quite distant from the border regions near the Rhine where the Franks had already been established for a long time. Gregory of Tours reported that in his time people believed that the Merovingian dynasty, who were still ruling in his time, were descended somehow from Chlodio.

Picard (/ˈpɪkɑːrd/ PIK-ard, also US: /pɪˈkɑːrd, ˈpɪkərd/ pih-KARD, PIK-ərd, French: [pikaʁ] ) is a langue d'oïl of the Romance language family spoken in the northernmost of France and parts of Hainaut province in Belgium. Administratively, this area is divided between the French Hauts-de-France region and the Belgian Wallonia along the border between both countries due to its traditional core being the districts of Tournai and Mons (Walloon Picardy).

The language or dialect is referred to by different names, as residents of Picardy call it simply Picard, but in the more populated region of Nord-Pas-de-Calais it is called Ch'ti or Ch'timi (sometimes written as Chti or Chtimi). This is the area that makes up Romance Flanders, around the metropolis of Lille and Douai, and northeast Artois around Béthune and Lens. Picard is also named Rouchi around Valenciennes, Roubaignot around Roubaix.

Robert Campin (Valenciennes (France) c. 1375 - Tournai (Belgium) 26 April 1444) now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was a master painter who, along with Jan van Eyck, initiated the development of early Netherlandish painting, a key development in the early Northern Renaissance.

While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades.

Guadamur is a municipality located in the province of Toledo, Castile-La Mancha, Spain. According to the 2008 census (INE), the municipality has a population of 1819 inhabitants.

On 4 June 2007 a twinning agreement was signed with the towns of Vouillé (department of Deux-Sèvres, Poitou-Charentes, France) and Tournai (Wallonia region, Belgium), to promote cultural exchanges and develop a cultural tour of Europe, on the occasion of the fifteenth centenary of the Battle of Vouillé. In that town near Poitiers, Clovis I, king of the Franks, defeated the Visigoths of Alaric II in 507. Tournai was the first capital of the Franks under kings Clovis and Childericus.

Christianization of the Franks was the process of converting the pagan Franks to Catholicism between the late 5th and late 8th centuries. It was started by Clovis I, regulus of Tournai, with the insistence of his wife, Clotilde and Saint Remigius, the bishop of Reims.

Brussels tapestry workshops produced tapestry from at least the 15th century, but the city's early production in the Late Gothic International style was eclipsed by the more prominent tapestry-weaving workshops based in Arras and Tournai. In 1477 Brussels, capital of the Duchy of Brabant, was inherited by the house of Habsburg; and in the same year Arras, the prominent center of tapestry-weaving in the Low Countries, was sacked and its tapestry manufacture never recovered, and Tournai and Brussels seem to have increased in importance.

The only millefleur tapestry to survive together with a record of its payment was a large heraldic millefleur carpet of very high quality made for Duke Charles the Bold of Burgundy in Brussels, of which part is now in the Bern Historical Museum. Sophie Schneebalg-Perelman's attribution to Brussels of The Lady and the Unicorn at the Musée de Cluny may well be correct.