Totem in the context of Ontario

In religion, a nature deity is a deity in charge of forces of nature, such as water, biological processes, or weather. These deities can also govern natural features such as mountains, trees, or volcanoes. Accepted in animism, pantheism, panentheism, polytheism, deism, totemism, shamanism, Taoism, Hinduism, and paganism, the nature deity can embody a number of archetypes including mother goddess, Mother Nature, or lord of the animals.

In mythology, folklore and speculative fiction, shapeshifting is the ability to physically transform oneself through unnatural means. The idea of shapeshifting is found in the oldest forms of totemism and shamanism, as well as the oldest existent literature and epic poems such as the Epic of Gilgamesh and the Iliad. The concept remains a common literary device in modern fantasy, children's literature and popular culture. Examples of shape-shifters include changelings, jinns, kitsunes, vampires, and werewolves, along with deities such as Loki and Vertumnus.

Nature worship, also called naturism or physiolatry, is any of a variety of religious, spiritual and devotional practices that focus on the worship of a nature deity, considered to be behind the natural phenomena visible throughout nature. A nature deity can be in charge of nature, a place, a biotope, the biosphere, the cosmos, or the universe. Nature worship is often considered the primitive source of modern religious beliefs and can be found in animism, pantheism, panentheism, polytheism, deism, totemism, shamanism, Taoism, Hinduism, some theism and paganism including Wicca. Common to most forms of nature worship is a spiritual focus on the individual's connection and influence on some aspects of the natural world and reverence towards it. Due to their admiration of nature, the works of Edmund Spenser, Anthony Ashley-Cooper and Carl Linnaeus were viewed as nature worship.

Zojz is a sky and lightning god in Albanian pagan mythology. Regarded as the chief god and the highest of all gods, traces of his worship survived in northern Albania until the early 20th century, and in some forms still continue today. The old beliefs in the Sky (Alb. Qielli) are pagan beliefs preserved by Albanians since ancient times. In Albanian the god who rules the sky is referred to as i Bukuri i Qiellit ("the Beauty of the Sky"), a phrase that is used in pagan contexts for the Sun (Dielli), worshiped as the god of light, sky and weather, giver of life, health and energy, and all-seeing eye. The sacred significance of one of the main symbols of the sky cult – the eagle – has been scrupulously preserved by Albanians, who have always considered it their animal totem. An epithet considered to be associated with the sky-god is "father", thought to be contained in the Albanian noun Zot ("Sky Father", from Proto-Albanian: *dźie̅u ̊ a(t)t-), used to refer to the supreme entity. A remarkable reflection of Proto-Indo-European mythology associated with the dawn goddess *H₂éwsōs is the Albanian tradition according to which the dawn goddess – Prende – is the daughter of the sky god – Zojz.

In classical antiquity Zojz was presumably worshiped by Illyrians as the ancestors of the Albanians. Albanian Zojz is the clear equivalent and cognate of Messapic Zis and Ancient Greek Zeus (all from Proto-Indo-European *Di̯ḗu̯s 'sky god'). The Albanian tradition according to which the Sun is an "eye", is a reflection of the Indo-European belief according to which the Sun is the eye of the Sky-God. The Sun, referred to as "the all-seeing (big) eye" is invoked in Albanian solemn oaths (be), and information about everything that happens on Earth is asked to the all-seeing Sun in ritual songs. Albanian folk beliefs regard the lightning as the "fire of the sky" (Zjarri i Qiellit) and consider it as the "weapon of the deity". Finding correspondences with Albanian folk beliefs and practices, the Illyrian Sun-deity, which was the chief cult object of the Illyrians, worshipped in a widespread and complex religious system, is figuratively represented on Iron Age plaques from Lake Shkodra as the god of the sky and lightning, also associated with the fire altar where he throws lightning bolts. Albanian rituals to avert big storms with torrential rains, lightning, and hail, seek assistance from the supernatural power of the Fire (Zjarri, evidently also called with the theonym Enji). Albanian rituals for rainmaking invoke the Sky and the Sun. The cult practiced by the Albanians on several sacred mountains (notably on Mount Tomorr in central Albania) performed with pilgrimages, prayers to the Sun, ritual bonfires, and animal sacrifices, is considered a continuation of the ancient Indo-European sky-god worship. The cult of the Sky is also preserved in Albanian solemn oaths. The Sky (Qielli) is often paired with the Earth (Dheu) in Albanian oath swearings.

The Anishinaabe, like most Algonquian-speaking groups in North America, base their system of kinship on clans or totems. The Ojibwe word for clan (doodem) was borrowed into English as totem. The clans, based mainly on animals, were instrumental in traditional occupations, intertribal relations, and marriages. Today, the clan remains an important part of Anishinaabe identity. Each clan is forbidden from harming its representation animal by any means, as it is a bad omen to do so.

The Elementary Forms of Religious Life (French: Les formes élémentaires de la vie religieuse), published by the French sociologist Émile Durkheim in 1912, is a book that analyzes religion as a social phenomenon. Durkheim attributes the development of religion to the emotional security attained through communal living. His study of totemic societies in Australia led to a conclusion that the animal or plant that each clan worshipped as a sacred power was in fact that society itself. Halfway through the text, Durkheim asks, "So if [the totem animal] is at once the symbol of the god and of the society, is that not because the god and the society are only one?"

According to Durkheim, early humans associated such feelings not only with one another, but as well with objects in their environment. This, Durkheim believed, led to the ascription of human sentiments and superhuman powers to these objects, in turn leading to totemism. The essence of religion, Durkheim finds, is the concept of the sacred, the only phenomenon which unites all religions. "A religion," writes Durkheim, "is a unified system of beliefs and practices relative to sacred things, that is to say, things set apart and forbidden—beliefs and practices which unite into a single moral community called a Church, all those who adhere to them." Durkheim concludes: