Toros Roslin in the context of "Acts of the Apostles (genre)"

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⭐ Core Definition: Toros Roslin

Toros Roslin (Armenian: Թորոս Ռոսլին, Armenian pronunciation: [tʰɔɾɔs rɔslin]); c. 1210–1270) was the most prominent Armenian manuscript illuminator in the High Middle Ages. Roslin introduced a wider range of narrative in his iconography based on his knowledge of western European art while continuing the conventions established by his predecessors. Roslin enriched Armenian manuscript painting by introducing new artistic themes such as the Incredulity of Thomas and Passage of the Red Sea. In addition he revived the genre of royal portraits, the first Cilician royal portraits having been found in his manuscripts. His style is characterized by a delicacy of color, classical treatment of figures and their garments, an elegance of line, and an innovative iconography.

The human figures in his illustrations are rendered full of life, representing different emotional states. Roslin's illustrations often occupy the entire surface of the manuscript page and at times only parts of it, in other cases they are incorporated in the texts in harmony with the ensemble of the decoration.

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👉 Toros Roslin in the context of Acts of the Apostles (genre)

The Acts of the Apostles is a genre of early Christian literature, recounting the lives and works of the apostles of Jesus. The Acts (Latin: Acta; Greek: Πράξεις Práxeis) are important for many reasons, one of them being the concept of apostolic succession. They also provide insight into the valuation of "missionary activities among the exotic races," since some of them feature missionary work done among, for instance, the Cynocephaly.

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Toros Roslin in the context of Annunciation

The Annunciation (/əˌnʌnsiˈʃən/; from Latin annuntiatio; also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord; Ancient Greek: Ο Ευαγγελισμός της Θεοτόκου) is, according to the Gospel of Luke, the announcement made by the archangel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Messiah and Son of God, marking the Incarnation.

According to Luke 1:26 the Annunciation occurred in the sixth month of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the traditional birthday of Jesus.

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Toros Roslin in the context of Genealogy of Jesus

The New Testament provides two accounts of the genealogy of Jesus, one in the Gospel of Matthew and another in the Gospel of Luke. Matthew starts with Abraham and works forwards, while Luke works back in time from Jesus to Adam. The lists of names are identical between Abraham and David (whose royal ancestry affirms Jesus' Messianic title Son of David), but differ radically from that point. Matthew has twenty-seven generations from David to Joseph, whereas Luke has forty-two, with almost no overlap between them or with other known genealogies.⁠ They also disagree on who Joseph's father was: Matthew says he was Jacob, while Luke says he was Heli.

Early Christian scholars (starting with Africanus and Eusebius) take both lineages to be true, offering various explanations for their divergence. For instance, one (usually Matthew's) may be taken to be the lineage of Joseph and the other (usually Luke's) of Mary, or one may be Jesus' customary legal lineage and the other his biological blood lineage. These versions can also fit the gospels' simultaneous account of Jesus' virgin birth of Mary alone, with Joseph being merely his legal adoptive father; both Joseph and Mary are taken to be David's descendants. Levirate marriage, through which an individual (such as Joseph) may have two legal fathers, can also serve these explanations. However, some modern critical scholars like Marcus Borg and John Dominic Crossan state that both genealogies are inventions, constructed to bring the Messianic claim into conformity with Jewish criteria.

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Toros Roslin in the context of Armenian illuminated manuscripts

Armenian illuminated manuscripts (Armenian: Հայկական մանրանկարչություն, romanizedHaykakan manrankarch'owt'yown), form an Armenian tradition of formally prepared documents where the text is often supplemented with flourishes such as borders and miniature illustrations. They are related to other forms of Medieval Armenian art, Persian miniatures, and to Byzantine illuminated manuscripts. The earliest surviving examples date after the Golden Age of Armenian art and literature in the 6th century. Armenian illuminated manuscripts embody Armenian culture; they illustrate its spiritual and cultural values.

The most famous Armenian miniaturist, Toros Roslin, lived in the 13th century. The art form flourished in Greater Armenia, Lesser Armenia and the Armenian Diaspora. Its appearance dates back to the creation of the Armenian alphabet in Armenia, in the year 405 AD. Very few fragments of illuminated manuscripts from the 6th and 7th centuries have survived. The oldest fully preserved manuscript dates from the 9th century. Art experienced a golden age in the 13th and 14th centuries when the main schools and centers started to pop up (fifteen hundred centers of writing and illumination). The most striking are those of Syunik, Vaspurakan and Cilicia. Many Armenian illuminated manuscripts outside the country of Armenia have also survived the centuries. Despite the creation of the Armenian printing press in the 16th century, the production of miniatures continued until the 19th century and survives through modern Armenian painting and cinema.

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