Toran (art) in the context of "Mango"

Play Trivia Questions online!

or

Skip to study material about Toran (art) in the context of "Mango"

Ad spacer

⭐ Core Definition: Toran (art)

Torana (Kannada: ತೋರಣ), also known as Bandanwal, refer to a decorative door hanging in Hinduism, usually decorated with marigolds and mango leaves, or a string that is tied on the door with the flower on it as a part of traditional Hindu culture on the occasion of festivals and weddings. A toran may feature colours such as green, yellow and red. They can be made of fabrics or metals which are usually made to resemble mango leaves. Peepal tree leaves are also used to make torans at some places in India. They also have other decorative features depending on the region.

The origin of torans can be traced to Puranas (Hindu Scriptures). Torans are used to decorate the main entrance of the home. The main idea behind decorating the homes is to please and attract the goddess of wealth, Lakshmi. These torans are the first thing that welcomes guests.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Toran (art) in the context of Jataka tales

The Jātaka (Sanskrit for "Birth-Related" or "Birth Stories") are a voluminous body of literature native to the Indian subcontinent which mainly concern the previous births of Gautama Buddha in both human and animal form. Jataka stories were depicted on the railings and torans of the stupas. According to Peter Skilling, this genre is "one of the oldest classes of Buddhist literature." Some of these texts are also considered great works of literature in their own right. The various Indian Buddhist schools had different collections of jātakas. The largest known collection is the Jātakatthavaṇṇanā of the Theravada school, as a textual division of the Pāli Canon, included in the Khuddaka Nikaya of the Sutta Pitaka.

In these stories, the future Buddha may appear as a king, an outcaste, a deva, an animal—but, in whatever form, he exhibits some virtue that the tale thereby inculcates. Often, Jātaka tales include an extensive cast of characters who interact and get into various kinds of trouble – whereupon the Buddha character intervenes to resolve all the problems and bring about a happy ending. The Jātaka genre is based on the idea that the Buddha was able to recollect all his past lives and thus could use these memories to tell a story and illustrate his teachings.

↑ Return to Menu