Sutta Pitaka in the context of "Jataka tales"

Play Trivia Questions online!

or

Skip to study material about Sutta Pitaka in the context of "Jataka tales"

Ad spacer

⭐ Core Definition: Sutta Pitaka

The Sutta Piṭaka (also referred to as Sūtra Piṭaka or Suttanta Piṭaka; English: Basket of Discourse) is the second of the three divisions of the Pali Tripitaka, the definitive canonical collection of scripture of Theravada Buddhism. The other two parts of the Tripiṭaka are the Vinaya Piṭaka (Basket of Discipline) and the Abhidhamma Piṭaka (Basket of Higher Doctrine). The Sutta Pitaka contains more than 10,000 suttas (teachings) attributed to the Buddha or his close companions.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Sutta Pitaka in the context of Jataka tales

The Jātaka (Sanskrit for "Birth-Related" or "Birth Stories") are a voluminous body of literature native to the Indian subcontinent which mainly concern the previous births of Gautama Buddha in both human and animal form. Jataka stories were depicted on the railings and torans of the stupas. According to Peter Skilling, this genre is "one of the oldest classes of Buddhist literature." Some of these texts are also considered great works of literature in their own right. The various Indian Buddhist schools had different collections of jātakas. The largest known collection is the Jātakatthavaṇṇanā of the Theravada school, as a textual division of the Pāli Canon, included in the Khuddaka Nikaya of the Sutta Pitaka.

In these stories, the future Buddha may appear as a king, an outcaste, a deva, an animal—but, in whatever form, he exhibits some virtue that the tale thereby inculcates. Often, Jātaka tales include an extensive cast of characters who interact and get into various kinds of trouble – whereupon the Buddha character intervenes to resolve all the problems and bring about a happy ending. The Jātaka genre is based on the idea that the Buddha was able to recollect all his past lives and thus could use these memories to tell a story and illustrate his teachings.

↓ Explore More Topics
In this Dossier

Sutta Pitaka in the context of Buddhist paths to liberation

The Buddhist path (marga) to liberation, also referred to as awakening, is described in a wide variety of ways. The classical one is the Noble Eightfold Path, which is only one of several summaries presented in the Sutta Pitaka. A number of other paths to liberation exist within various Buddhist traditions and theology.

↑ Return to Menu

Sutta Pitaka in the context of Theragatha

The Theragāthā (Verses of the Elder Monks) is a Buddhist text, a collection of short poems in Pali attributed to members of the early Buddhist sangha. It is classified as part of the Khuddaka Nikaya, the collection of minor books in the Sutta Pitaka. A similar text, the Therigatha, contains verses attributed to early Buddhist nuns.

↑ Return to Menu

Sutta Pitaka in the context of Nikayas

Nikāya (निकाय) is a Pāli word meaning "volume". It is often used like the Sanskrit word āgama (आगम) to mean "collection", "assemblage", "class" or "group" in both Pāḷi and Sanskrit. It is most commonly used in reference to the Pali Buddhist texts of the Tripitaka namely those found in the Sutta Piṭaka. It is also used to refer to monastic lineages, where it is sometimes translated as a 'monastic fraternity'.

The term Nikāya Buddhism is sometimes used in contemporary scholarship to refer to the Buddhism of the early Buddhist schools.

↑ Return to Menu

Sutta Pitaka in the context of Āgama (Buddhism)

In Buddhism, an āgama (आगम Sanskrit and Pāli, Tibetan: ལུང་ (Wylie: lung) for "sacred work" or "scripture") is a collection of early Buddhist texts.

The five āgama together comprise the Suttapiṭaka of the early Buddhist schools, which had different recensions of each āgama. In the Pali Canon of the Theravada, the term nikāya is used. The word āgama does not occur in this collection.

↑ Return to Menu

Sutta Pitaka in the context of Jātaka (Pali Canon)

The Jātaka is a Buddhist scripture, part of the Pāli Canon of Theravāda Buddhism. It is included in the Sutta Pitaka's Khuddaka Nikaya. It comprises 547 poems, arranged roughly by an increasing number of verses. The various Indian Buddhist schools had different collections of jātakas, and the definitive Jātaka of the Pali Canon is one of the canonical collections that have existed within various Buddhist traditions. Some of the stories are also found in numerous other languages and media, such the Hindu Panchatantra.

↑ Return to Menu

Sutta Pitaka in the context of Khuddaka Nikaya

The Khuddaka Nikāya (lit.'Minor Collection') is the last of the five Nikāyas, or collections, in the Sutta Pitaka, which is one of the "three baskets" that compose the Pali Tipitaka, the sacred scriptures of Theravada Buddhism. This nikaya consists of fifteen (Thailand), fifteen (Sri Lanka follows Buddhaghosa's list), or eighteen books (Burma) in different editions on various topics attributed to Gautama Buddha and his chief disciples.

The word khuddaka in the title means ‘small’ in Pali and Nikāya is ‘collection’. The equivalent collection in the Chinese and Tibetan canons is the Kṣudraka Āgama, but there is substantial variation among the collections.

↑ Return to Menu

Sutta Pitaka in the context of Ananda

Ānanda (Pali and Sanskrit: आनंद; 5th–4th century BCE) was the primary attendant of the Buddha and one of his ten principal disciples. Among the Buddha's many disciples, Ānanda stood out for having the best memory. Most of the texts of the early Buddhist Sutta-Piṭaka (Pali: सुत्त पिटक; Sanskrit: सूत्र-पिटक, Sūtra-Piṭaka) are attributed to his recollection of the Buddha's teachings during the First Buddhist Council. For that reason, he is known as the Treasurer of the Dhamma, with Dhamma (Sanskrit: धर्म, dharma) referring to the Buddha's teaching. In Early Buddhist Texts, Ānanda was the first cousin of the Buddha. Although the early texts do not agree on many parts of Ānanda's early life, they do agree that Ānanda was ordained as a monk and that Puṇṇa Mantānīputta (Sanskrit: पूर्ण मैत्रायणीपुत्र, Pūrṇa Maitrāyaṇīputra) became his teacher. Twenty years in the Buddha's ministry, Ānanda became the attendant of the Buddha, when the Buddha selected him for this task. Ānanda performed his duties with great devotion and care, and acted as an intermediary between the Buddha and the laypeople, as well as the saṅgha (Sanskrit: संघ, romanizedsaṃgha, lit.'monastic community'). He accompanied the Buddha for the rest of his life, acting not only as an assistant, but also as a secretary and a mouthpiece.

Scholars are skeptical about the historicity of many events in Ānanda's life, especially the First Council, and consensus about this has yet to be established. A traditional account can be drawn from early texts, commentaries, and post-canonical chronicles. Ānanda had an important role in establishing the order of bhikkhunīs (Sanskrit: भिक्षुणी, romanized: bhikṣuṇī, lit.'female mendicant'), when he requested the Buddha on behalf of the latter's foster-mother Mahāpajāpati Gotamī (Sanskrit: महाप्रजापती गौतमी, Mahāprajāpatī Gautamī) to allow her to be ordained. Ānanda also accompanied the Buddha in the last year of his life, and therefore was witness to many tenets and principles that the Buddha conveyed before his death, including the well-known principle that the Buddhist community should take his teaching and discipline as their refuge, and that he would not appoint a new leader. The final period of the Buddha's life also shows that Ānanda was very much attached to the Buddha's person, and he saw the Buddha's passing with great sorrow.

↑ Return to Menu