Tomb of Pope Julius II in the context of "San Pietro in Vincoli"

⭐ In the context of San Pietro in Vincoli, what artistic masterpiece is inextricably linked to the legacy of Pope Julius II?

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⭐ Core Definition: Tomb of Pope Julius II

The Tomb of Pope Julius II, which is in fact a cenotaph, is an architectural and sculptural project by Michelangelo Buonarroti. In its final, reduced form, it is located in the basilica of San Pietro in Vincoli in Rome. Michelangelo was commissioned by Pope Julius II to design and execute a monumental sepulchral monument in 1505, but work on the project was repeatedly postponed and did not begin in earnest until 1542. Over the nearly four decades between the initial commission and the completion of the reduced version in 1545, the project underwent numerous revisions and interruptions.What was originally conceived as a freestanding rectangular mausoleum containing more than forty statues was ultimately scaled down to a wall tomb comprising only seven statues, of which three were executed by Michelangelo himself. Among these, only the Moses is regarded as fully representative of his artistic achievement. Michelangelo's official biographer, Ascanio Condivi, records that the artist considered this single statue sufficient to confer distinction upon the monument, stating that it alone was enough to bring honor to the tomb of Pope Julius II.

The protracted history of the project was marked by significant difficulties, including repeated delays, contractual disputes, and reductions in scale. Michelangelo himself referred to the endeavor as the "tragedy of the tomb", and Condivi described it as having brought the artist "infinite difficulties, displeasures, and troubles and, what is worse, infamy due to the malice of certain men, from which he was barely exonerated after many years".

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👉 Tomb of Pope Julius II in the context of San Pietro in Vincoli

San Pietro in Vincoli ([sam ˈpjɛːtro ˈviŋkoli]; Saint Peter in Chains) is a Roman Catholic titular church and minor basilica in Rome, Italy. The church is on the Oppian Hill near Cavour metro station, a short distance from the Colosseum. The name alludes to the Biblical story of the Liberation of Peter.

This church is best known for housing Michelangelo's statue of Moses, part of the tomb of Pope Julius II. |Following the death of Pio Laghi, Donald Wuerl became the Cardinal-Priest in 2010.

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Tomb of Pope Julius II in the context of Moses (Michelangelo)

Moses (Italian: Mosè [moˈzɛ]; c. 1513–1515) is a sculpture by the Italian High Renaissance artist Michelangelo, housed in the Basilica of San Pietro in Vincoli in Rome. Commissioned in 1505 by Pope Julius II for his tomb, it depicts the biblical figure Moses with horns on his head, based on a description in chapter 34 of Exodus in the Vulgate, the Latin translation of the Bible used at that time. Some scholars believe the use of horns may often hold an antisemitic implication, while others hold that it is simply a convention based on the translation error.

Sigmund Freud's interpretations of the statue from 1916 are particularly well-known. Some interpretations of the sculpture including Freud note a demotic force, but also as a beautiful figure, with an emotional intensity as God's word is revealed. The delicacy of some of the features such as Moses' flowing hair are seen as a remarkable technical achievement, but Freud argues that Michelangelo goes beyond mere skills to provoke curiosity in the viewer, asking why Moses plays with his hair, and why he is presented with horns and flowing hair.

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