Tomb in the context of "Pyramid of Menkaure"

A necropolis (pl.: necropolises, necropoles, necropoleis, necropoli) is a large, designed cemetery with elaborate tomb monuments. The name stems from the Ancient Greek νεκρόπολις nekropolis (lit. 'city of the dead').

The term usually implies a separate burial site at a distance from a city, as opposed to tombs within cities, which were common in various places and periods of history. They are different from grave fields, which did not have structures or markers above the ground. While the word is most commonly used for ancient sites, the name was revived in the early 19th century and applied to planned city cemeteries, such as the Glasgow Necropolis.

Mother church or matrice is a term depicting the Christian Church as a mother in her functions of nourishing and protecting the believer. It may also refer to the primary church of a Christian denomination or diocese, i.e. a cathedral church, or the oldest church of a particular locality. For a particular individual, one's mother church is the church in which one received the sacrament of baptism. The term has specific meanings within different Christian traditions. Catholics refer to the Catholic Church as "Holy Mother Church".

A cenotaph is an empty grave, tomb or a monument erected in honor of a person or group of people whose remains are elsewhere or have been lost. It can also be the initial tomb for a person who has since been reinterred elsewhere. Although the majority of cenotaphs honor individuals, many noted cenotaphs are also dedicated to the memories of groups of individuals, such as the lost soldiers of a country or of an empire.

The Kasta Tomb (Greek: Τύμβος Καστά), also known as the Amphipolis Tomb (Greek: Τάφος της Αμφίπολης), is the largest ancient tumulus (burial mound) ever discovered in Greece, and by comparison dwarfs that of Philip II of Macedon, father of Alexander the Great, in Vergina.

It is an ancient Macedonian tomb of the last quarter of the 4th c. BC, and is enclosed in the Kasta mound near the ancient city of Amphipolis, Central Macedonia, in northern Greece. The first excavations at the mound in 1964 led to exposure of the perimeter wall, and further excavations in the 1970s uncovered many other ancient remains. The inner tomb was first discovered in 2012 and entered in August 2014.

Long barrows are a style of monument constructed across Western Europe in the fifth and fourth millennia BCE, during the Early Neolithic period. Typically constructed from earth and either timber or stone, those using the latter material represent the oldest widespread tradition of stone construction in the world. Around 40,000 long barrows survive today.

The structures have a long earthen tumulus, or "barrow", that is flanked on two sides with linear ditches. These typically stretch for between 20 and 70 metres in length, although some exceptional examples are either longer or shorter than this. Some examples have a timber or stone chamber in one end of the tumulus. These monuments often contained human remains interred within their chambers, and as a result, are often interpreted as tombs, although there are some examples where this appears not to be the case. The choice of timber or stone may have arisen from the availability of local materials rather than cultural differences. Those that contained chambers inside of them are often termed chambered long barrows while those which lack chambers are instead called unchambered long barrows or earthen long barrows.

Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.

Early Islamic architecture was influenced by Roman, Byzantine, Iranian, and Mesopotamian architecture and all other lands which the early Muslim conquests conquered in the seventh and eighth centuries. Later it developed distinct characteristics in the form of buildings and in the decoration of surfaces with Islamic calligraphy, arabesques, and geometric motifs. New architectural elements like minarets, muqarnas, and multifoil arches were invented. Common or important types of buildings in Islamic architecture include mosques, madrasas, tombs, palaces, hammams (public baths), Sufi hospices (e.g. khanqahs or zawiyas), fountains and sabils, commercial buildings (e.g. caravanserais and bazaars), and military fortifications.

Nefertari (also known as Nefertari Meritmut; Akkadian: Naptera) was an Egyptian queen and the first of the Great Royal Wives (or principal wives) of Ramesses the Great. She is one of the best known Egyptian queens, among such women as Cleopatra, Nefertiti, and Hatshepsut, and one of the most prominent not known or thought to have reigned in her own right. She was highly educated and able to both read and write hieroglyphs, a very rare skill at the time. She used these skills in her diplomatic work, corresponding with other prominent royals of the time. Her lavishly decorated tomb, QV66, is one of the largest and most spectacular in the Valley of the Queens. Ramesses also constructed a temple for her at Abu Simbel next to his colossal monument there.

A mausoleum is an external free-standing building constructed as a monument enclosing the burial chamber of a deceased person or people. A mausoleum without the person's remains is called a cenotaph. A mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum.

A pope is the Bishop of Rome and the leader of the Catholic Church. Approximately 100 papal tombs are at least partially extant, representing fewer than half of the 266 deceased popes, from Saint Peter to Pope Francis.

For the first few centuries in particular, little is known of the popes and their tombs, and available information is often contradictory. As with other religious relics, multiple sites claim to house the same tomb. Furthermore, many papal tombs that recycled sarcophagi and other materials from earlier tombs were later recycled for their valuable materials or combined with other monuments. For example, the tomb of Pope Leo I was combined with Leos II, III, and IV circa 855, and then removed in the seventeenth century and placed under his own altar, below Alessandro Algardi's relief, Fuga d'Attila. The style of papal tombs has evolved considerably throughout history, tracking trends in the development of church monuments. Notable papal tombs have been commissioned from sculptors such as Michelangelo and Gian Lorenzo Bernini.