Toho in the context of Toho International

Toei Company, Ltd. (東映株式会社, Tōei Kabushiki-gaisha; an acronym for Tōkyō Eiga Haikyū (東京映画配給) lit. 'Tokyo Film Distribution'; /ˈtoʊ.eɪ/), simply known as Toei Company or Toei, is a Japanese entertainment company. Headquartered in Kyōbashi, Chūō, Tokyo, it is involved in film and television production, distribution, video game development, publishing, and ownership of 34 movie theaters. Toei also owns and operates studios in Tokyo and Kyoto and holds shares in several television companies. The company is renowned for its production of anime and live-action dramas known as tokusatsu, which incorporate special visual effects. It is also known for producing period dramas. Toei is the majority shareholder of Toei Animation and is recognized for its franchises such as Kamen Rider, Super Sentai and Power Rangers.

Toei is one of the four members of the Motion Picture Producers Association of Japan (MPPAJ 日本映画製作者連盟), and is therefore one of Japan's Big Four film studios, alongside Kadokawa, Shochiku and Toho.

Godzilla (Japanese: ゴジラ, Hepburn: Gojira) is a Japanese giant monster, or kaiju, franchise centering on the titular character, a prehistoric reptilian monster awakened and powered by nuclear radiation. The films series are recognized by the Guinness World Records as the "longest continuously running film series", having been in ongoing production since 1954, with several hiatuses of varying lengths. There are 38 Godzilla films: 33 Japanese films produced and distributed by Toho Co., Ltd., and five American films; one by TriStar Pictures and four films (part of the Monsterverse franchise) by Legendary Pictures.

The original film, Godzilla, was directed by and co-written by Ishirō Honda and released by Toho in 1954. It became an influential classic of the genre. It featured political and social undertones relevant to Japan at the time. The 1954 film and its special effects director Eiji Tsuburaya are largely credited for establishing the template for tokusatsu, a technique of practical special effects filmmaking that would become essential in Japan's film industry since the release of Godzilla (1954). For its North American release, the film was localized in 1956 as Godzilla, King of the Monsters! and featured new footage with Raymond Burr edited together with the original Japanese footage.

Gamera (Japanese: ガメラ, Hepburn: Gamera) is a giant monster, or kaiju, that debuted in the 1965 film Gamera, the Giant Monster by Daiei Film. The character and the first film were intended to follow the success of Toho's Godzilla film series, while various staffs have participated in both and related franchises, and the two franchises have influenced each other. The Daiei franchise has become a Japanese icon in its own right and one of the many representatives of Japanese cinema, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio (Kadokawa Corporation) respectively, and various other media such as novels, anime, videos, manga and cartoons, magazines, video games, television programs, shows, other merchandises, and so on.

Gamera is depicted as a giant, flying, fire-breathing, prehistoric turtle. In the series' first film, Gamera is portrayed as an aggressive and destructive monster, though he also saved a child's life. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, especially children, nature, and the Earth from extraterrestrial races and other giant monsters.

King Kong, also referred to simply as Kong, is a fictional giant monster, or kaiju, resembling a gorilla, who has appeared in various media since 1933. The character has become an international pop culture icon, appearing in several movies, comics, videogames and television series, as well as repeatedly crossing over with the Godzilla franchise. Kong has been dubbed the King of the Beasts.

His first appearance was in the novelization of the 1933 film King Kong from RKO Pictures, with the film premiering a little over two months later. A sequel quickly followed that same year with The Son of Kong, featuring Little Kong. The Japanese film company Toho later produced King Kong vs. Godzilla (1962), featuring a giant Kong battling Toho's Godzilla, and King Kong Escapes (1967), a film loosely based on Rankin/Bass' The King Kong Show (1966–1969). In 1976, Dino De Laurentiis produced a modern remake of the original film directed by John Guillermin. A sequel, King Kong Lives, followed a decade later featuring a Lady Kong. Another remake of the original, set in 1933, was released in 2005 by filmmaker Peter Jackson.

The War at Sea from Hawaii to Malaya is a 1942 Japanese epic war film directed by Kajiro Yamamoto, with special effects by Eiji Tsuburaya. Produced by Toho and distributed by Film Distribution Corporation [ja], the film is propaganda produced with support from the Navy Ministry that was intended to influence the Japanese public into believing they could prevail in the Pacific War.

The military reportedly converted the idea of a documentary film on the attack on Pearl Harbor that featured special effects since it was difficult to record footage of the attack. Prior to the attack and Japan's subsequent entry into World War II, an Imperial Japanese Navy official met Tsuburaya and requested the production of a film about the attack as soon as possible when the war broke out. Production took place from May to November 1942, on a record breaking budget of ¥770,000.