Toccata and Fugue in D minor, BWV 565 in the context of "J.S. Bach"

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⭐ Core Definition: Toccata and Fugue in D minor, BWV 565

The Toccata and Fugue in D minor, BWV 565, is a composition for organ from the Baroque period. According to the oldest sources it was written by the German composer Johann Sebastian Bach. It is one of the most widely recognisable works in the organ repertoire. Although the date of its origin is unknown, scholars have suggested between 1704 and the 1740s (if by Bach). The piece opens with a toccata section followed by a fugue that ends in a coda, and is largely typical of the north German organ school of the Baroque era.

Little was known about its early existence until the piece was discovered in an undated manuscript produced by Johannes Ringk. It was first published in 1833 during the early Bach Revival period through the efforts of composer Felix Mendelssohn, who also performed the piece in 1840. It was not until the 20th century that its popularity rose above that of other organ compositions by Bach, as exemplified by its inclusion in Walt Disney's 1940 animated film Fantasia that featured Leopold Stokowski's orchestral transcription from 1927.

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Toccata and Fugue in D minor, BWV 565 in the context of Johann Sebastian Bach

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schübler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music.

The Bach family had already produced several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at age 10, he lived for five years with his eldest brother, Johann Christoph, then continued his musical education in Lüneburg. In 1703 he returned to Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen. Around that time he also visited for longer periods the courts in Weimar, where he expanded his organ repertory, and the reformed court at Köthen, where he was mostly engaged with chamber music. By 1723 he was hired as Thomaskantor (cantor with related duties at St Thomas School) in Leipzig. There he composed music for the principal Lutheran churches of the city and Leipzig University's student ensemble, Collegium Musicum. In 1726 he began publishing his organ and other keyboard music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer. This situation was somewhat remedied when his sovereign, Augustus III of Poland, granted him the title of court composer of the Elector of Saxony in 1736. In the last decades of his life, Bach reworked and extended many of his earlier compositions. He died due to complications following eye surgery in 1750 at the age of 65. Four of his twenty children, Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich, and Johann Christian, became composers.

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