Tirumurukāṟṟuppaṭai in the context of "Pattuppāṭṭu"

The Ten Idylls, known as Pattuppāṭṭu (Tamil: பத்துப்பாட்டு) or Ten Lays, is an anthology of ten longer poems in the Sangam literature – the earliest known Tamil literature. They range between about 100 and 800 lines, and the collection includes the celebrated Nakkīrar's Tirumurukāṟṟuppaṭai (lit. "Guide to Lord Murukan"). The collection was termed as "Ten Idylls" during the colonial era, though this title is considered "very incorrect" by Kamil Zvelebil – a scholar of Tamil literature and history. He suggests "Ten Lays" as the more apt title. Five of these ten ancient poems are lyrical, narrative bardic guides (arruppatai) by which poets directed other bards to the patrons of arts such as kings and chieftains. The others are guides to religious devotion (Murugan) and to major towns, sometimes mixed with akam- or puram-genre poetry.

The Pattuppāṭṭu collection is a later dated collection, with its earliest layer composed sometime between 2nd and 3rd century CE, the middle between 2nd and 4th century, while the last layer sometime between 3rd and 5th century CE.

Kartikeya (IAST: Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha or Muruga, is the Hindu god of war. He is generally described as the son of the deities Shiva and Parvati and the brother of Ganesha.

Kartikeya has been an important deity in the Indian subcontinent since ancient times. Mentions of Skanda in the Sanskrit literature data back to fifth century BCE and the mythology relating to Kartikeya became widespread in North India around the second century BCE. Archaeological evidence from the first century CE and earlier shows an association of his iconography with Agni, the Hindu god of fire, indicating that Kartikeya was a significant deity in early Hinduism. Kaumaram is the Hindu denomination that primarily venerates Kartikeya. Apart from significant Kaumaram worship and temples in South India, he is worshipped as Mahasena and Kumara in North and East India. Muruga is a tutelary deity mentioned in Tamil Sangam literature, of the Kurinji region. As per scholars of religion, the Tamil deity of Muruga coalesced with the Vedic deity of Skanda Kartikeya over time. He is considered as the patron deity of Tamil language and literary works such as Tirumurukāṟṟuppaṭai by Nakkīraṉãr and Tiruppukal by Arunagirinathar are devoted to Muruga.

Nakkīraṉãr, sometimes spelled Nakkirar or Nakkiranar, was a post-Sangam era Tamil poet. He is credited with the devotional poem to the Hindu god Murugan in the Pattuppāṭṭu anthology, titled Tirumurukāṟṟuppaṭai. In the historic Tamil tradition, he is believed to have also authored a second poem in the Sangam collection titled Neṭunalvāṭai, as well as a detailed commentary on Iraiyanar Akapporul (lit. Grammar of Stolen Love). However, according to the Tamil literature scholar Kamil Zvelebil, the Tirumurukāṟṟuppaṭai and the Neṭunalvāṭai were likely authored by two different Nakkirar, and Nakkīraṉãr and the older Nakkīrar were different individual. It is uncertain as to which century Nakkiranar lived, much like the chronology of the Sangam literature. Scholars variously place his works between 3rd and 8th century CE, with Zvelebil suggesting late classical.

Nakkīraṉãr's poem Tirumurukarruppatai is the most ancient known bhakti genre poem of 312 akaval verses on Murugan (also known as Subrahmanya, Kumara, Skanda, Kartikeya in other parts of India). The Tirumurukarruppatai is held in "very high esteem" in the Murugan tradition as well as the Murugan's father Shiva tradition. It is of interest to history, architecture and religious studies because it describes different temples of Murugan in ancient Tamil Nadu, devotional practices, and the theological legends. The author paints in words the scenes of nature near these temples, towns, and the culture of ancient South Indian Hinduism.