Tie-dye in the context of "Resist dyeing"

⭐ In the context of resist dyeing, pattern creation is fundamentally achieved through…

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⭐ Core Definition: Tie-dye

Tie-dye is a term used to describe a number of resist dyeing techniques and the resulting dyed products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment, before binding with string or rubber bands, followed by the application of dye or dyes. The manipulations of the fabric before the application of dye are called resists, as they partially or completely prevent ('resist') the applied dye from coloring the fabric. More sophisticated tie-dye may involve additional steps, including an initial application of dye before the resist, multiple sequential dyeing and resist steps, and the use of other types of resists (stitching, stencils) and discharge.

Unlike regular resist-dyeing techniques, modern tie-dye is characterized by the use of bright, saturated primary colors and bold patterns. These patterns, including the spiral, mandala, and peace sign, and the use of multiple bold colors, have become widely recognized as symbols of the 1960s and 1970s counterculture movement. However tie-dye wasn't as pronounced in fashion even among the counterculture as it would be in later years and the present day. The vast majority of tie-dye garments and objects produced for wholesale distribution use these designs, with many being mass-produced.

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👉 Tie-dye in the context of Resist dyeing

Resist dyeing (resist-dyeing) is a traditional method of dyeing textiles with patterns. Methods are used to "resist" or prevent the dye from reaching all the cloth, thereby creating a pattern and ground. The most common forms use wax, some type of paste made from starch or mud, or a mechanical resist that manipulates the cloth such as tying or stitching. Another form of resist involves using a dye containing a chemical agent that will repel another type of dye printed over the top. The best-known varieties today include tie-dye, batik, and ikat.

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Tie-dye in the context of Resist

A resist, used in many areas of manufacturing and art, is something that is added to parts of an object to create a pattern by protecting these parts from being affected by a subsequent stage in the process. Often the resist is then removed.

For example in the resist dyeing of textiles, wax or a similar substance is added to places where the dye is not wanted. The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing.

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Tie-dye in the context of Ikat

Ikat (literally "to bind" in Malayo-Polynesian languages) is a dyeing technique from Southeast Asia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general groups of related traditions. The first is found among Daic-speaking peoples (Laos, northern Vietnam, and Hainan). The second, larger group is found among the Austronesian peoples (Indonesia, Philippines, Malaysia, Brunei, and Timor-Leste) and spread via the Austronesian expansion to as far as Madagascar. It is most prominently associated with the textile traditions of Indonesia in modern times, from where the term ikat originates. Similar unrelated dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Ryukyu Islands (where it is called Iichiiri or Tucciri), Japan (where it is called kasuri), Africa, and the Americas.

In ikat, the resist is formed by binding individual yarns or bundles of yarns with a tight wrapping applied in the desired pattern. The yarns are then dyed. The bindings may then be altered to create a new pattern and the yarns dyed again with another colour. This process may be repeated multiple times to produce elaborate, multicolored patterns. When the dyeing is finished all the bindings are removed and the yarns are woven into cloth. In other resist-dyeing techniques such as tie-dye and batik the resist is applied to the woven cloth, whereas in ikat the resist is applied to the yarns before they are woven into cloth. Because the surface design is created in the yarns rather than on the finished cloth, in ikat both fabric faces are patterned. Ikat can be classified into three general types: warp ikat or weft ikat, in which either the warp or weft yarns are dyed, respectively; and double ikat, where both the warp and weft yarns are dyed.

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Tie-dye in the context of Hida Minzoku Mura Folk Village

Hida Folk Village, Hida no Sato (飛騨民俗村, 飛騨の里, Hida Minzoku Mura, Hida no Sato) is an open-air museum of close to 30 old farmhouses illustrating the traditional architectural styles of the mountainous regions of Japan. Of particular interest are the thatched and shingled roofs, such as the gasshō-zukuri-styled buildings. Many of the buildings were brought from their original sites to preserve them. The village is picturesquely situated on a hillside overlooking the Takayama Valley and surrounding a large pond. It is in the city of Takayama, Gifu Prefecture, Japan, about 2.5 km (1.6 mi) southwest of the train station.

The structures range from 100 to 500 years in age. Many are open to perusal and are filled with artifacts from their respective periods, including spindles, silk worm raising artifacts, cooking utensils, and clothing. There is a workshop illustrating how many of Japan's famous handicrafts are made, including wood carving, tie-dyeing, weaving, and lacquer work. Sometimes it is referred to as "the village hidden in the leaf".

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Tie-dye in the context of Shibori

Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press") is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.

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