Through the Looking-Glass, and What Alice Found There in the context of "John Tenniel"

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⭐ Core Definition: Through the Looking-Glass, and What Alice Found There

Through the Looking-Glass, and What Alice Found There is a novel published in December 1871 by Lewis Carroll, the pen name of Charles Lutwidge Dodgson, a mathematics lecturer at Christ Church, Oxford. It is the sequel to his Alice's Adventures in Wonderland (1865), in which many of the characters were anthropomorphic playing cards. In this second novel the theme is chess. As in the earlier book, the central figure, Alice, enters a fantastical world, this time by climbing through a large looking-glass (a mirror) into a world that she can see beyond it. There she finds that, just as in a reflection, things are reversed, including logic (for example, running helps one remain stationary, walking away from something brings one towards it, chessmen are alive and nursery-rhyme characters are real).

Among the characters Alice meets are the severe Red Queen, the gentle and flustered White Queen, the quarrelsome twins Tweedledum and Tweedledee, the rude and opinionated Humpty Dumpty, and the kindly but impractical White Knight. Eventually, as in the earlier book, after a succession of strange adventures, Alice wakes and realises she has been dreaming. As in Alice's Adventures in Wonderland, the original illustrations are by John Tenniel.

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👉 Through the Looking-Glass, and What Alice Found There in the context of John Tenniel

Sir John Tenniel (/ˈtɛniəl/; 28 February 1820 – 25 February 1914) was an English illustrator, graphic humourist and political cartoonist prominent in the second half of the 19th century. An alumnus of the Royal Academy of Arts in London, he was knighted for artistic achievements in 1893, the first such honour ever bestowed on an illustrator or cartoonist.

Tenniel is remembered mainly as the principal political cartoonist for Punch magazine for over 50 years and for his illustrations to Lewis Carroll's Alice's Adventures in Wonderland (1865) and Through the Looking-Glass, and What Alice Found There (1871). Tenniel's detailed black-and-white drawings remain the definitive depiction of the Alice characters, with comic book illustrator and writer Bryan Talbot stating, "Carroll never describes the Mad Hatter: our image of him is pure Tenniel."

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