Three Sisters (play) in the context of "The Cherry Orchard"

Play Trivia Questions online!

or

Skip to study material about Three Sisters (play) in the context of "The Cherry Orchard"




⭐ Core Definition: Three Sisters (play)

Three Sisters (Russian: Три сeстры́, romanizedTri sestry) is a play by the Russian author and playwright Anton Chekhov. It was written in 1900 and first performed in 1901 at the Moscow Art Theatre. The play is often included on the shortlist of Chekhov's outstanding plays, along with The Cherry Orchard, The Seagull and Uncle Vanya.

↓ Menu

👉 Three Sisters (play) in the context of The Cherry Orchard

The Cherry Orchard (Russian: Вишнёвый сад, romanizedVishnyovyi sad) is the last play by the Russian playwright Anton Chekhov. Written in 1903, it was first published by Znaniye (Book Two, 1904), and it appeared as a separate edition later that year in Saint Petersburg via A.F. Marks Publishers. On 17 January 1904, it opened at the Moscow Art Theatre in a production directed by Konstantin Stanislavski. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have struggled with its dual nature. It is often identified as one of the four outstanding plays by Chekhov, along with The Seagull, Three Sisters, and Uncle Vanya.

The play revolves around an aristocratic Russian landowner who returns to her family estate, which includes a large and well-known cherry orchard; she returns just before the estate is auctioned to pay the mortgage. Unresponsive to offers to save the estate, she allows its sale to the son of a former serf, and the family departs to the sound of the cherry orchard being cut down. The story presents themes of cultural futility – the attempts of the aristocracy to maintain its status, and the attempts of the bourgeoisie to find meaning in its newfound materialism. The play dramatizes the socioeconomic forces in Russia at the turn of the 20th century; these forces include the rise of the middle class after the abolition of serfdom in the mid-19th century, in addition to the decline in power of the aristocracy.

↓ Explore More Topics
In this Dossier

Three Sisters (play) in the context of Anton Chekhov

Anton Pavlovich Chekhov (/ˈɛkɒf/; Russian: Антон Павлович Чехов, IPA: [ɐnˈton ˈpavləvʲɪtɕ ˈtɕexəf]; 29 January 1860 – 15 July 1904) was a Russian playwright and short-story writer, widely considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife," he once said, "and literature is my mistress."

Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." The plays that Chekhov wrote were not complex, and created a somewhat haunting atmosphere for the audience.

↑ Return to Menu

Three Sisters (play) in the context of List of productions directed by Konstantin Stanislavski

This article offers a chronological list of productions directed by Konstantin Stanislavski. It does not include theatrical productions in which Stanislavski only acted.

Until he was thirty three, Stanislavski appeared only as an amateur onstage and as a director, as a result of his family's discouragement. When he was twenty five, he helped to establish a Society of Art and Literature, which aimed to unite amateur and professional actors and artists. His professional career began in 1896 when he co-founded the Moscow Art Theatre (MAT) with Vladimir Nemirovich-Danchenko. Later in his life, he created a series of studios whose aims were primarily pedagogical but which also presented public performances. This list of productions directed by Stanislavski includes amateur, professional, and studio productions.

↑ Return to Menu

Three Sisters (play) in the context of Patti LuPone

Patti Ann LuPone (born April 21, 1949) is an American actress and singer. After starting her professional career with The Acting Company in 1972, she soon gained acclaim for her leading performances on the Broadway and West End stage. Known for playing bold, resilient women in musical theater, she has received numerous accolades, including three Tony Awards, two Olivier Awards, and two Grammy Awards. She was inducted to the American Theater Hall of Fame in 2006.

She made her Broadway debut in Three Sisters in 1973. She went on to receive three Tony Awards: two for Best Actress in a Musical for her roles as Eva Perón in Tim Rice and Andrew Lloyd Webber's Evita (1980), and Rose in Gypsy (2008) and one for Best Featured Actress in a Musical for playing Joanne in the Stephen Sondheim revival Company (2022). She was Tony-nominated for The Robber Bridegroom (1975), Anything Goes (1988), Sweeney Todd: The Demon Barber of Fleet Street (2006), Women on the Verge of a Nervous Breakdown (2010), and War Paint (2017).

↑ Return to Menu

Three Sisters (play) in the context of Olga Knipper

Olga Leonardovna Knipper-Chekhova (Russian: О́льга Леона́рдовна Кни́ппер-Че́хова; 21 September [O.S. 9 September] 1868 – 22 March 1959) was a Russian and Soviet stage actress. She was married to Anton Chekhov.

Knipper was among the 39 original members of the Moscow Art Theatre when it was formed by Konstantin Stanislavski in 1898. She played Arkadina in The Seagull (1898), played Elena in the Moscow premiere of Uncle Vanya (1899), and was the first to play Masha in Three Sisters (1901) and Madame Ranevskaya in The Cherry Orchard (1904). She married Anton Chekhov, the author of these plays, in 1901. She played Ranevskaya again in 1943, when the theatre marked the 300th performance of The Cherry Orchard.

↑ Return to Menu