Thespiae in the context of "Praxithea"

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⭐ Core Definition: Thespiae

Thespiae (/ˈθɛspi./ THESP-ee-ee; Ancient Greek: Θεσπιαί, romanizedThespiaí) was an ancient Greek city (polis) in Boeotia. It sits at the foot of Mount Helicon and near right bank of the Thespius River (modern name Kanavari River).

Thespiae was a Boeotian state sporadically involved in the military federal league known as the Boeotian League. The Boeotian League began in 520 BCE under the leadership of Thebes.

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👉 Thespiae in the context of Praxithea

In Greek mythology, Praxithea (/ˌpræɡˈzɪθiə/; Ancient Greek: Πραξιθέα) was a name attributed to five women.

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Thespiae in the context of Battle of Leuctra

The Battle of Leuctra (Ancient Greek: Λεῦκτρα, Ancient Greek: [lêu̯k.tra]) was fought on 6 July 371 BC between the Boeotians led by the Thebans, and the Spartans along with their allies amidst the post–Corinthian War conflict. The battle took place in the vicinity of Leuctra, a village in Boeotia in the territory of Thespiae. The Theban victory shattered Sparta's immense influence over the Greek peninsula, which Sparta had gained with its victory in the Peloponnesian War a generation earlier.

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Thespiae in the context of Leuctra

Leuctra or Leuktra (Ancient Greek: τὰ Λεῦκτρα, romanizedtà Leûktra, Attic Greek pronunciation: [tà lêu̯k.tra] or τὸ Λεῦκτρον, tò Leûktron [tò lêu̯k.tron]) was a village in ancient Boeotia, situated on the road from Thespiae to Plataea, and within the territory of the former city. Leuctra is most notable for the Battle of Leuctra, fought in its neighbourhood between the Spartans and Thebans in 371 BCE, by which the supremacy of Sparta was demolished. In the plain of Leuctra, was the tomb of the two daughters of Scedasus, a Leuctrian. The daughters were violated by Spartans, and had afterwards slain themselves. Before the battle, Epaminondas crowned the tomb with wreaths, fulfilling an oracle's prophecy that the Spartans would be defeated at this spot.

The site of Leuctra is near the modern village of Lefktra, renamed to reflect to connection with the ancient place.

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Thespiae in the context of Praxiteles

Praxiteles (/prækˈsɪtɪlz/; Greek: Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist.

A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting (Gérôme) to comic opera (Saint-Saëns) to shadow play (Donnay).

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Thespiae in the context of Antiope (Greek myth)

In Greek mythology, Antiope /ænˈt.əpi/ or Antiopa (Ancient Greek: Ἀντιόπη derived from αντι anti "against, compared to, like" and οψ ops "voice" or means "confronting") may refer to the following

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Thespiae in the context of Eurypylus

In Greek mythology, Eurypylus (/jʊəˈrɪpɪləs/; Ancient Greek: Εὐρύπυλος, romanizedEurupulos, lit.'wide-gated') was the name of several different people:

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Thespiae in the context of Mount Helicon

Mount Helicon (Ancient Greek: Ἑλικών; Greek: Ελικώνας) is a mountain in the region of Thespiai in Boeotia, Greece, celebrated in Greek mythology. With an altitude of 1,749 metres (5,738 ft), it is located approximately 10 kilometres (6 mi) from the north coast of the Gulf of Corinth. Some researchers maintain that Helicon was also the Greek name of mount Rocca Salvatesta in Sicily as a river started from it was called also Helikon.

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Thespiae in the context of Phryne

Phryne (Ancient Greek: Φρύνη, before 370 – after 316 BC) was an ancient Greek hetaira (courtesan). Born Mnesarete, she was from Thespiae in Boeotia, but seems to have lived most of her life in Athens. She apparently grew up poor, but became one of the richest women in Greece.

Phryne is best known for her trial for impiety, in which she was defended by the orator Hypereides. According to legend, she was acquitted after baring her breasts to the jury, though the historical accuracy of this episode is doubtful. She also modeled for the artists Apelles and Praxiteles: the Aphrodite of Knidos was said to have been based on her. Phryne was largely ignored during the Renaissance, but artistic interest in her began to grow from the end of the eighteenth century. Her trial was depicted by Jean-Léon Gérôme in the 1861 painting Phryne Before the Areopagus, which influenced many subsequent depictions of her, and according to Laura McClure made her an "international cultural icon". As well as her depiction in visual arts, since the nineteenth century she has also appeared in literature, theatre, and on film.

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