Theme–rheme | TriviaQuestions.online

⭐ In the context of linguistics, a theme–rheme structure is most directly related to which aspect of a locutionary act?

A locutionary act is defined as the actual utterance and its ostensible meaning, which is comprised of phonetic (verbal), syntactic, and semantic aspects, aligning directly with how theme–rheme structures function within a sentence.

⭐ Core Definition: Theme–rheme

In linguistics, the topic, or theme, of a sentence is what is being talked about, and the comment (rheme or focus) is what is being said about the topic. This division into old vs. new content is called information structure. It is generally agreed that clauses are divided into topic vs. comment, but in certain cases, the boundary between them depends on the specific grammatical theory that is used to analyze the sentence.

The topic of a sentence is distinct from the grammatical subject. The topic is defined by pragmatic considerations, that is, the context that provides meaning. The grammatical subject is defined by syntax. In any given sentence the topic and grammatical subject may be the same, but they need not be. For example, in the sentence "As for the little girl, the dog bit her", the subject is "the dog", but the topic is "the little girl".

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👉 Theme–rheme in the context of Locutionary act

In linguistics and the philosophy of language, a locutionary act is the performance of an utterance, and is one of the types of force, in addition to illocutionary act and perlocutionary act, typically cited in Speech Act Theory. Speech Act Theory is a subfield of pragmatics that explores how words and sentences are not only used to present information, but also to perform actions. As an utterance, a locutionary act is considered a performative, in which both the audience and the speaker must trust certain conditions about the speech act. These conditions are called felicity conditions and are divided into three different categories: the essential condition, the sincerity condition, and the preparatory condition.

The term equally refers to the surface meaning of an utterance because, according to J. L. Austin's posthumous How To Do Things With Words, a speech act should be analysed as a locutionary act (i.e. the actual utterance and its ostensible meaning, comprising phonetic, phatic, and rhetic acts corresponding to the verbal, syntactic, and semantic aspects of any meaningful utterance), as well as an illocutionary act (the semantic 'illocutionary force' of the utterance, thus its real, intended meaning), and in certain cases a further perlocutionary act (i.e. its actual effect, whether intended or not).

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