Felicity conditions in the context of "Locutionary act"

⭐ In the context of Speech Act Theory, felicity conditions are most directly related to ensuring the successful completion of what type of act?

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⭐ Core Definition: Felicity conditions

In linguistics and philosophy of language, an utterance is felicitous if it is pragmatically well-formed. An utterance can be infelicitous because it is self-contradictory, trivial, irrelevant, or because it is somehow inappropriate for the context of utterance. Researchers in semantics and pragmatics use felicity judgments much as syntacticians use grammaticality judgments. An infelicitous sentence is marked with the pound sign.

The terms felicitous and infelicitous were first proposed by J. L. Austin as part of his theory of speech acts. In his thinking, a performative utterance is neither true nor false, but can instead be deemed felicitous or infelicitous according to a set of conditions whose interpretation differs depending on whether the utterance in question is a declaration ("I sentence you to death"), a request ("I ask that you stop doing that") or a warning ("I warn you not to jump off the roof").

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👉 Felicity conditions in the context of Locutionary act

In linguistics and the philosophy of language, a locutionary act is the performance of an utterance, and is one of the types of force, in addition to illocutionary act and perlocutionary act, typically cited in Speech Act Theory. Speech Act Theory is a subfield of pragmatics that explores how words and sentences are not only used to present information, but also to perform actions. As an utterance, a locutionary act is considered a performative, in which both the audience and the speaker must trust certain conditions about the speech act. These conditions are called felicity conditions and are divided into three different categories: the essential condition, the sincerity condition, and the preparatory condition.

The term equally refers to the surface meaning of an utterance because, according to J. L. Austin's posthumous How To Do Things With Words, a speech act should be analysed as a locutionary act (i.e. the actual utterance and its ostensible meaning, comprising phonetic, phatic, and rhetic acts corresponding to the verbal, syntactic, and semantic aspects of any meaningful utterance), as well as an illocutionary act (the semantic 'illocutionary force' of the utterance, thus its real, intended meaning), and in certain cases a further perlocutionary act (i.e. its actual effect, whether intended or not).

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