Theatre of Japan in the context of "Yose"

The Higashiyama culture (東山文化 Higashiyama bunka) is a segment of Japanese culture that includes innovations in architecture, the visual arts and theatre during the late Muromachi period. It originated and was promoted in the 15th century by the shōgun Ashikaga Yoshimasa, after he retired to his villa in the eastern hills (東山 Higashiyama) of capital city Kyoto.

Kabuki (歌舞伎; Japanese pronunciation: [ka.bɯ.kʲi]) is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers.

Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century.

Shinpa (新派) (also rendered shimpa) is a modern form of theater in Japan usually featuring melodramatic stories, contrasted with the more traditional kabuki style. Taking its start in the 1880s, it later spread to cinema.