In warfare, a theater or theatre is an area in which important military events occur or are in progress. A theater can include the entirety of the airspace, land, and sea area that is—or that may potentially become—involved in war operations.
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👉 Theater of military operations in the context of Battle of Kozludzha
The Battle of Kozludzha (also known as the Battle of Kozludža or the Battle of Kozluca), fought on 20 June (Old Style - June 9) 1774 near the village of Kozludzha (now Suvorovo, Bulgaria), was one of the final and decisive battles of the Russo-Turkish War (1768–1774). The Russians managed to rout the Ottoman army, scoring a major victory. This battle, alongside several others in this campaign, established the reputation of the Russian Lieutenant-General Alexander Suvorov as one of the brilliant commanders of his time. As a result of the council, however, the Russians did not undertake a further offensive beyond Balkan Mountains deep into Ottoman territory due to the bad local roads and the lack of provisions, which were available only until 12 July. The commander-in-chief General-Feldmarshal Pyotr Rumyantsev-Zadunaisky was furious at the operational outcome and placed the responsibility for not moving the TO beyond Balkan mountains on Lieutenant-General Count Mikhail Kamensky, Suvorov's assistant at the battle of Kozludzha and the senior among the 6 generals (including Suvorov) who were at the council. Nevertheless, a peace treaty favorable to Russia would soon be signed—owing to the battle.
The Ottoman forces are estimated at 40,000. Russian numbers were much lower, 8,000 men who participated in the battle. All in all, Suvorov had about 19,500 men available. This is his corps (14,000), and part of Kamensky's forces (approximately 5,500 out of 11,000). The Ottoman forces were demoralized due to previous defeats and had poor logistics (including a year of withheld back pay).
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Theater of military operations in the context of Operational level of war
In the field of military theory, the operational level of war (also called operational art, as derived from Russian: оперативное искусство, or operational warfare) represents the level of command that connects the details of tactics with the goals of strategy. In other words, it involves creating, through successful tactics in the theater of military operations, the conditions needed for strategic success.
In U.S. Joint military doctrine, operational art is "the cognitive approach by commanders and staffs—supported by their skill, knowledge, experience, creativity, and judgment—to develop strategies, campaigns, and operations to organize and employ military forces by integrating ends, ways, and means". It correlates political requirements with military power. Operational art is defined by its military-political scope, not by force size, scale of operations or degree of effort. Likewise, operational art provides theory and skills, and the operational level permits doctrinal structure and process.