The essay in the context of "Michel de Montaigne"

⭐ In the context of Michel de Montaigne, the essay is considered…

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⭐ Core Definition: The essay

An essay (/ˈɛs./, ESS-ay) is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a letter, a paper, an article, a pamphlet, and a short story. Essays have been sub-classified as formal and informal: formal essays are characterized by "serious purpose, dignity, logical organization, length," whereas the informal essay is characterized by "the personal element (self-revelation, individual tastes and experiences, confidential manner), humor, graceful style, rambling structure, unconventionality or novelty of theme," etc.

Essays are commonly used as literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the author. Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g., Alexander Pope's An Essay on Criticism and An Essay on Man). While brevity usually defines an essay, voluminous works like John Locke's An Essay Concerning Human Understanding and Thomas Malthus's An Essay on the Principle of Population are counterexamples.

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👉 The essay in the context of Michel de Montaigne

Michel Eyquem, Seigneur de Montaigne (/mɒnˈtn/ mon-TAYN; French: [miʃɛl ekɛm mɔ̃tɛɲ]; Middle French: [miˈʃɛl ejˈkɛm mõnˈtaɲə]; 28 February 1533 – 13 September 1592), commonly known as Michel de Montaigne, was one of the most significant philosophers of the French Renaissance. He is known for popularising the essay as a literary genre. His work is noted for its merging of casual anecdotes and autobiography with intellectual insight. Montaigne had a direct influence on numerous writers of Western literature; his Essais contain some of the most influential essays ever written.

During his lifetime, Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style, rather than as an innovation; moreover, his declaration that "I am myself the matter of my book" was viewed by his contemporaries as self-indulgent. In time, however, Montaigne came to be recognised as embodying the spirit of critical thought and open inquiry that began to emerge around that time. He is best known for his sceptical remark, "Que sçay-je ?" ("What do I know?", in Middle French; "Que sais-je ?" in modern French).

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