The Walt Disney Company in the context of "Morty and Ferdie Fieldmouse"

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⭐ Core Definition: The Walt Disney Company

The Walt Disney Company, commonly referred to as simply Disney, is an American multinational mass media and entertainment conglomerate headquartered at the Walt Disney Studios complex in Burbank, California. Founded on October 16, 1923, as an animation studio by brothers Walt Disney and Roy Oliver Disney as Disney Brothers Cartoon Studio, Disney operated under the names Walt Disney Studio and Walt Disney Productions before adopting its current name in 1986. In 1928, Disney established itself as a leader in the animation industry with the short film Steamboat Willie. The film used synchronized sound to become the first post-produced sound cartoon, and popularized Mickey Mouse, who became Disney's mascot and corporate icon.

After becoming a success by the early 1940s, Disney diversified into live-action films, television, and theme parks in the 1950s. However, following Walt Disney's death in 1966, the company's profits, especially in the animation sector, began to decline. In 1984, Disney's shareholders voted Michael Eisner as CEO, who led a reversal of the company's decline through a combination of international theme park expansion and the highly successful Disney Renaissance period of animation from 1989 to 1999. In 2005, under the new CEO Bob Iger, the company continued to expand into a major entertainment conglomerate with the acquisitions of Pixar in 2006, Marvel Entertainment in 2009, Lucasfilm in 2012, and 21st Century Fox in 2019. In 2020, Bob Chapek became the head of Disney after Iger's retirement. However, Chapek was ousted in 2022 and Iger was reinstated as CEO.

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In this Dossier

The Walt Disney Company in the context of National Geographic Society

The National Geographic Society, headquartered in Washington, D.C., United States, is one of the largest nonprofit scientific and educational organizations in the world.

Founded in 1888, its interests include geography, archaeology, natural science, the promotion of environmental and historical conservation, and the study of world culture and history. The National Geographic Society's logo is a yellow portrait frame—rectangular in shape—which appears on the margins surrounding the front covers of its magazines and as its television channel logo. Through National Geographic Partners (a joint venture with The Walt Disney Company), the Society operates the magazine, TV channels, a website, worldwide events, and other media operations.

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The Walt Disney Company in the context of National Geographic Partners

National Geographic Partners, LLC is a joint venture between the Walt Disney Company (which owns 73% of the company) and the namesake non-profit scientific organization National Geographic Society (which owns 27%). The company oversees all commercial activities related to the Society, including magazine publications and television channels. The company's board of managers is evenly divided between the Society and Disney.

The enterprise was originally established by 21st Century Fox and the National Geographic Society. Following the completion of Disney's acquisition of 21st Century Fox on March 20, 2019, Disney assumed 21CF's 73% share in the joint venture.

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The Walt Disney Company in the context of National Geographic Global Networks

National Geographic Global Networks (formerly National Geographic Channels Worldwide and National Geographic Channels International) is a business unit within National Geographic Partners (a joint venture between The Walt Disney Company and the National Geographic Society) and Disney Entertainment (who handles distribution and advertising sales for National Geographic Global Networks) that oversees the National Geographic-branded television channels and National Geographic Studios (formerly known as National Geographic Television).

The unit itself was a joint operation between 21st Century Fox (21CF) and the Society. It was later integrated into National Geographic Partners, which was formed in 2015. On March 20, 2019, 21CF's share in National Geographic Partners was assumed by Disney, following its acquisition of most 21CF businesses.

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The Walt Disney Company in the context of Mickey Mouse

Mickey Mouse is a cartoon character co-created in 1928 by Walt Disney and Ub Iwerks. The longtime icon and mascot of the Walt Disney Company, Mickey is an anthropomorphic mouse who typically wears red shorts, large shoes, and white gloves. He is often depicted with a cast of characters including his girlfriend Minnie Mouse, his pet dog Pluto, his best friends Donald Duck and Goofy, and his nemesis Pete.

Mickey was created as a replacement for a prior Disney character, Oswald the Lucky Rabbit. The character was originally to be named "Mortimer Mouse", until Disney's wife, Lillian, suggested "Mickey". Mickey first appeared in two 1928 shorts Plane Crazy and The Gallopin' Gaucho (which were not picked up for distribution) before his public debut in Steamboat Willie (1928). The character went on to appear in over 130 films, mostly shorts as well as features such as Fantasia (1940). Since 1930, Mickey has been featured extensively in comic strips (including the Mickey Mouse comic strip, which ran for 45 years) and comic books (such as Mickey Mouse). The character has also been featured in television series such as The Mickey Mouse Club (1955–1996).

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The Walt Disney Company in the context of Walt Disney

Walter Elias Disney (/ˈdɪzni/ DIZ-nee; December 5, 1901 – December 15, 1966) was an American animator, film producer, voice actor, and entrepreneur. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, he holds the record for most Academy Awards won (22) and nominations (59) by an individual. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress and have also been named as some of the greatest films ever by the American Film Institute.

Born in Chicago in 1901 and raised largely in Missouri, Disney developed an early interest in drawing. He took art classes as a boy and took a job as a commercial illustrator at the age of 18. He moved to California in the early 1920s and set up the Disney Brothers Studio (now the Walt Disney Company) with his brother Roy. With Ub Iwerks, he developed the character Mickey Mouse in 1928, his first highly popular success; he also provided the voice for his creation in the early years. As the studio grew, he became more adventurous, introducing synchronized sound, full-color three-strip Technicolor, feature-length cartoons and technical developments in cameras. The results, seen in features such as Snow White and the Seven Dwarfs (1937), Pinocchio, Fantasia (both 1940), Dumbo (1941), and Bambi (1942), furthered the development of animated film. New animated and live-action films followed after World War II, including Cinderella (1950), Sleeping Beauty (1959), and Mary Poppins (1964), the last of which received five Academy Awards.

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The Walt Disney Company in the context of History of manga

Modern manga, in the sense of narrative multi-panel cartoons made in Japan, originated from in a sense Western-style cartoons featured in late 19th century Japanese publications. The form of manga as speech-balloon based comics more specifically originated from translations of American comic strips in the 1920s; several early examples of such manga read left to right, with the longest running pre-1945 manga being the Japanese translation of the American comic strip Bringing Up Father. However, Japan has pre-World War II 'manga' just not in the contemporary sense. The term manga first came into use in the late 18th century, though it only started to refer to various forms of cartooning in the 1890s and did not become a common word until around 1920.

Historians and writers on manga history have described two broad and complementary processes that shaped modern manga. While their views differ in the relative importance they attribute it to the role of cultural and historical events following World War II versus the role of pre-war, Meiji, and pre-Meiji Japanese culture and art. One view, represented by other writers such as Frederik L. Schodt, Kinko Ito, and Adam L. Kern, stresses continuity of Japanese cultural and aesthetic traditions, including the latter three eras; the other view states that, during and after the occupation of Japan by the allies (1945–1952), manga was strongly shaped by the Americans' cultural influences, including comics brought to Japan by the GIs, and by images and themes from U.S. television, film, and cartoons (especially Disney). According to Sharon Kinsella, the booming Japanese publishing industry helped create a consumer-oriented society in which publishing giants like Kodansha could shape popular tastes. Manga reflects Japanese society, myths, beliefs rituals, traditions, and fantasies.

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The Walt Disney Company in the context of Subsidiary

A subsidiary, subsidiary company, or daughter company is a company completely or partially owned or controlled by another company, called the parent company or holding company, which has legal and financial control over the subsidiary company. Unlike regional branches or divisions, subsidiaries are considered to be distinct entities from their parent companies; they are required to follow the laws of where they are incorporated, and they maintain their own executive leadership. Two or more subsidiaries primarily controlled by the same entity/group are considered to be sister companies of each other.

Subsidiaries are a common feature of modern business, and most multinational corporations organize their operations via the creation and purchase of subsidiary companies. Examples of holding companies are Berkshire Hathaway, Jefferies Financial Group, The Walt Disney Company, Warner Bros. Discovery, and Citigroup, which have subsidiaries involved in many different fields. More focused companies include IBM, Xerox, and Microsoft; they and their subsidiaries primarily operate within the tech sector. These, and others, organize their businesses into national and functional subsidiaries, often with multiple levels of subsidiaries.

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The Walt Disney Company in the context of Tokyo Disney Resort

The Tokyo Disney Resort (東京ディズニーリゾート) (local nickname TDR) is a theme park and vacation resort located in Urayasu, Chiba, Japan, just east of Tokyo. The resort is owned and operated by the Oriental Land Co., a subsidiary of the Keisei Electric Railway, under a license from The Walt Disney Company, which designed and constructed the resort and its various attractions through its Imagineering research & development arm.

The resort opened on April 15, 1983, as a single theme park (Tokyo Disneyland), later developing into a resort with a second theme park (Tokyo DisneySea), six Disney themed hotels, six non-Disney hotels and a shopping complex (Ikspiari). Tokyo Disneyland was the first Disney theme park to open outside the United States and the complex is the only Disney resort in the world not owned or operated by Disney Experiences in any capacity.

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The Walt Disney Company in the context of Media in Los Angeles

The media of Los Angeles are influential and include some of the most important production facilities in the world. As part of the "Creative Capital of the World", it is a major global center for media and entertainment. In addition to being the home of Hollywood, the center of the American motion picture industry, the Los Angeles area is the second largest media market in North America (after New York City). Many of the nation's media conglomerates either have their primary headquarters (like The Walt Disney Company) or their West Coast operations (like NBCUniversal) based in the region. Universal Music Group, one of the "Big Four" record labels, is also based in the Los Angeles area.

The major daily newspaper is the Los Angeles Times, while La Opinión is the city's major daily Spanish-language paper. The Hollywood Reporter and Variety are significant entertainment industry papers in Los Angeles. There are also a wide variety of smaller regional newspapers, alternative weeklies and magazines, including LA Weekly, Los Angeles magazine, the Los Angeles Business Journal, the Los Angeles Daily Journal, and the Los Angeles Downtown News. In addition to the English- and Spanish-language papers, numerous local periodicals serve immigrant communities in their native languages, including Korean, Persian, Russian and Japanese.

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