Kodansha in the context of "History of manga"

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⭐ Core Definition: Kodansha

Kodansha Ltd. (Japanese: 株式会社講談社, Hepburn: Kabushiki-gaisha Kōdansha) is a Japanese privately held publishing and music company headquartered in Bunkyō, Tokyo. Kodansha publishes manga magazines which include Nakayoshi, Morning, Afternoon, Evening, Weekly Young Magazine, Weekly Shōnen Magazine, and Bessatsu Shōnen Magazine, as well as the more literary magazines Gunzō, Shūkan Gendai, and the Japanese dictionary, Nihongo Daijiten. Kodansha was founded by Seiji Noma in 1909, and members of his family continue as its owners either directly or through the Noma Cultural Foundation.

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👉 Kodansha in the context of History of manga

Modern manga, in the sense of narrative multi-panel cartoons made in Japan, originated from in a sense Western-style cartoons featured in late 19th century Japanese publications. The form of manga as speech-balloon based comics more specifically originated from translations of American comic strips in the 1920s; several early examples of such manga read left to right, with the longest running pre-1945 manga being the Japanese translation of the American comic strip Bringing Up Father. However, Japan has pre-World War II 'manga' just not in the contemporary sense. The term manga first came into use in the late 18th century, though it only started to refer to various forms of cartooning in the 1890s and did not become a common word until around 1920.

Historians and writers on manga history have described two broad and complementary processes that shaped modern manga. While their views differ in the relative importance they attribute it to the role of cultural and historical events following World War II versus the role of pre-war, Meiji, and pre-Meiji Japanese culture and art. One view, represented by other writers such as Frederik L. Schodt, Kinko Ito, and Adam L. Kern, stresses continuity of Japanese cultural and aesthetic traditions, including the latter three eras; the other view states that, during and after the occupation of Japan by the allies (1945–1952), manga was strongly shaped by the Americans' cultural influences, including comics brought to Japan by the GIs, and by images and themes from U.S. television, film, and cartoons (especially Disney). According to Sharon Kinsella, the booming Japanese publishing industry helped create a consumer-oriented society in which publishing giants like Kodansha could shape popular tastes. Manga reflects Japanese society, myths, beliefs rituals, traditions, and fantasies.

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Kodansha in the context of Princess Knight

Princess Knight, also known as Ribon no Kishi, is a Japanese manga series written and illustrated by Osamu Tezuka. This manga follows the adventures of Sapphire, a girl who was born accidentally with the blue heart of a boy and the pink heart of a girl. She pretends to be a prince to prevent the evil Duke Duralumin from taking over the kingdom through his son, Plastic. The gender-bending main character was inspired by the all-female musical theater group Takarazuka Revue in which women performed both female and male roles.

The story was ordered by an editor of Kodansha's magazine Shōjo Club who wanted Tezuka to produce a manga aimed towards a female audience that could replicate the success of his former boy-aimed stories. The author then created Princess Knight, originally serialized in that magazine from 1953 to 1956. The manga's popularity resulted into a radio dramatization in 1955, three other serializations between 1958 and 1968, and a 52-episode television anime series by Mushi Production that aired on Fuji TV from 1967 to 1968. It has also influenced several stage musicals since the 1980s and inspired remakes of the work by other authors.

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Kodansha in the context of Sailor Moon

Sailor Moon (Japanese: 美少女戦士セーラームーン, Hepburn: Bishōjo Senshi Sērā Mūn; originally translated as Pretty Soldier Sailor Moon, later Pretty Guardian Sailor Moon) is a Japanese manga series written and illustrated by Naoko Takeuchi. It was originally serialized in Kodansha's shōjo manga magazine Nakayoshi from 1991 to 1997; the 60 individual chapters (later reorganized into 52) and several side stories were compiled into 18 tankōbon volumes. Set in Tokyo in the 1990s, the series follows the adventures of a schoolgirl named Usagi Tsukino as she transforms into the eponymous character to search for a magical artifact, the "Legendary Silver Crystal" (「幻の銀水晶」, Maboroshi no Ginsuishō; lit. "Phantom Silver Crystal"). She leads a group of comrades, the Sailor Soldiers, called Sailor Guardians in later editions, as they battle against villains to prevent the theft of the Silver Crystal and the destruction of the Solar System.

The manga was written in conjunction with the airing of an anime series produced by Toei Animation, which was broadcast in Japan from 1992 to 1997. Toei also developed three animated feature films, a television special, and three short films based on the anime. A live-action television adaptation, Pretty Guardian Sailor Moon, aired from 2003 to 2004, and a second anime series, Sailor Moon Crystal, began simulcasting in 2014. The manga series was licensed for an English release by Kodansha Comics in North America, and in Australia and New Zealand by Random House Australia. The entire anime series has been licensed by Viz Media for an English-language release in North America and by Madman Entertainment in Australia and New Zealand.

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Kodansha in the context of Kodansha Manga Award

The Kodansha Manga Award (講談社漫画賞, Kōdansha Manga Shō) is one of Japan's major manga awards. The event is sponsored by publisher Kodansha. It has been awarded annually for serialized manga in its third iteration since 1977.

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Kodansha in the context of Wild Bird Society of Japan

The Wild Bird Society of Japan (日本野鳥の会) was founded in 1934 in Tokyo, Japan. The organisation has 47,000 members and publishes a newsletter called Strix. Other relevant publications include the Field Guide to the Birds of Japan, Birds of East Asia, and A Birdwatchers's Guide to Japan by Mark Brazil (published by Kodansha).

After 15 years of lobbying by WBSJ and numerous other conservation organisations, the Hokkaido Government chose not to build drainage channels along the Chitose River in Chitose, Hokkaidō. Lobbying by WBSJ and others, were also successful in getting the plan to reclaim Fujimae Tidal Flat, an important migration stop-over site for shorebirds, to be dropped.

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Kodansha in the context of Akira (manga)

Akira (アキラ; stylized as AKIRA) is a Japanese cyberpunk post-apocalyptic manga series written and illustrated by Katsuhiro Otomo. It was serialized biweekly in Kodansha's seinen manga magazine Young Magazine from December 20, 1982, to June 25, 1990, with its 120 chapters collected into six tankōbon volumes. It was initially published in the United States by Marvel Comics under its Epic imprint, becoming one of the first manga works to be translated in its entirety into English. It is currently published by Kodansha Comics in North America. Considered a watershed title for the medium, the manga is also famous for spawning the seminal 1988 cyberpunk anime film adaptation of the same name and the greater franchise.

Set in a post-apocalyptic and futuristic "Neo-Tokyo", more than three decades after a mysterious explosion destroyed the city, the story centers on teenage biker gang leader Shotaro Kaneda, militant revolutionary Kei, a trio of Espers, and Neo-Tokyo military leader Colonel Shikishima, who attempt to prevent Tetsuo Shima, Kaneda's mentally unbalanced childhood friend, from using his unstable and destructive telekinetic abilities to ravage the city and awaken a mysterious entity with powerful psychic abilities named "Akira". Otomo uses conventions of the cyberpunk genre to detail a saga of political turmoil, social isolation, corruption, and power. Widely regarded as a landmark work in cyberpunk and credited with pioneering the Japanese cyberpunk subgenre, Akira received universal acclaim from readers and critics, with Otomo's artwork, storytelling, characters, and exploration of mature themes and concepts subject to particular praise. The manga also achieved international commercial success, selling millions of copies worldwide.

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