The Turn of the Screw, Op. 54, is a 20th-century English chamber opera composed by Benjamin Britten, with a libretto by Myfanwy Piper, based on the 1898 novella The Turn of the Screw by Henry James.
It concerns a young, inexperienced governess sent to a country house to care for two children, who she is gradually convinced have been corrupted by the ghosts of a previous manservant and governess. The drama grows increasingly tense, with a tragic outcome.
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Edward Benjamin Britten, Baron Britten OM CH (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).
Britten was born in Lowestoft, Suffolk, the son of a dentist. He showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the a cappella choral work A Boy Was Born in 1934. With the premiere of Peter Grimes in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-scale operas for Sadler's Wells and Covent Garden, he wrote chamber operas for small forces, suitable for performance in venues of modest size. Among the best known of these is The Turn of the Screw (1954). Recurring themes in his operas include the struggle of an outsider against a hostile society and the corruption of innocence.
Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's Cardillac (1926). Earlier small-scale operas such as Pergolesi's La serva padrona (1733) are sometimes known as chamber operas.
Other 20th-century examples include Gustav Holst's Savitri (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. The Rape of Lucretia (1946) was his first example in the genre, and Britten followed it with Albert Herring (1947), The Turn of the Screw (1954) and Curlew River (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adès, George Benjamin, William Walton, and Philip Glass have written in this genre.
Sophie Irene Hunter (born 16 March 1978) is an English theatre director, playwright and former actress and singer. She made her directorial debut in 2007 co-directing the experimental play The Terrific Electric at the Barbican Pit after winning the Oxford Samuel Beckett Theatre Trust Award with her theatre collective Boileroom. In addition, she has directed an Off-Off-Broadway revival of Henrik Ibsen's Ghosts (2010) at Access Theatre, the performance art titled Lucretia (2011) based on Benjamin Britten's opera The Rape of Lucretia at Location One's Abramovic Studio in New York City, and the Phantom Limb Company's 69° South also known as Shackleton Project (2011) which premièred at the Brooklyn Academy of Music's Harvey Theatre and later toured North America.
In August 2015, Hunter directed Phaedra and The Turn of the Screw to critical acclaim for the Happy Days Enniskillen International Beckett Festival and Aldeburgh Music, respectively.