The Rescuers Down Under in the context of "Jeffrey Katzenberg"

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⭐ Core Definition: The Rescuers Down Under

The Rescuers Down Under is a 1990 American animated adventure film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is the sequel to the 1977 film The Rescuers. In this film, Bernard and Bianca travel to the Australian Outback to save a young boy named Cody from a villainous poacher who wants to capture an endangered golden eagle for money. Directed by Hendel Butoy and Mike Gabriel from a screenplay by Jim Cox, Karey Kirkpatrick, Byron Simpson, and Joe Ranft, the film features the voices of Bob Newhart, Eva Gabor (in her final film role), John Candy, and George C. Scott.

By the mid-1980s, The Rescuers had become one of Disney's most successful animated releases. Under the new management of Michael Eisner and Jeffrey Katzenberg, a feature-length sequel was approved, making it the first animated film sequel theatrically released by the studio. Following their duties on Oliver & Company (1988), animators Butoy and Gabriel were recruited to direct the sequel. Research trips to Australia provided inspiration for the background designs. The film would also mark the full use of the Computer Animation Production System (CAPS), becoming the first feature film to be completely created digitally. The software allowed for artists to digitally ink-and-paint the animators' drawings, and then composite the digital cels over the scanned background art.

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The Rescuers Down Under in the context of Disney Renaissance

The Disney Renaissance was a period from 1989 to 1999 during which Walt Disney Feature Animation returned to producing commercially and/or critically successful animated films. The ten feature films associated with this period are The Little Mermaid (1989), The Rescuers Down Under (1990), Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), and Tarzan (1999).

The films were mostly musical adaptations of well-known stories, similar to the films produced by Walt Disney from the 1930s to 1960s. The resurgence allowed Disney's animated films to become a powerhouse of successes at the domestic and foreign box office, earning much greater profits.

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