The Pilgrim's Progress in the context of "Ogre"

Play Trivia Questions online!

or

Skip to study material about The Pilgrim's Progress in the context of "Ogre"

Ad spacer

⭐ Core Definition: The Pilgrim's Progress

The Pilgrim's Progress from This World, to That Which Is to Come is a 1678 Christian allegory written by John Bunyan. It is commonly regarded as one of the most significant works of Protestant devotional literature and of wider early modern English literature. It has been translated into more than 200 languages and has never been out of print. It appeared in Dutch in 1681, in German in 1703 and in Swedish in 1727. The first North American edition was issued in 1681. It has also been cited as the first novel written in English. According to literary editor Robert McCrum, "there's no book in English, apart from the Bible, to equal Bunyan's masterpiece for the range of its readership, or its influence on writers as diverse as William Hogarth, C. S. Lewis, Nathaniel Hawthorne, Herman Melville, Charles Dickens, Louisa May Alcott, George Bernard Shaw, William Thackeray, Charlotte Brontë, Mark Twain, John Steinbeck and Enid Blyton." The lyrics of the hymn "To be a Pilgrim" are based on the novel.

Bunyan began his work while in the Bedfordshire county prison for violations of the Conventicle Act 1664, which prohibited the holding of religious services outside the auspices of the established Church of England. Early Bunyan scholars such as John Brown believed The Pilgrim's Progress was begun in Bunyan's second, shorter imprisonment for six months in 1675, but more recent scholars such as Roger Sharrock believe that it was begun during Bunyan's initial, more lengthy imprisonment from 1660 to 1672 right after he had written his spiritual autobiography Grace Abounding to the Chief of Sinners.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 The Pilgrim's Progress in the context of Ogre

An ogre (feminine: ogress) is a legendary monster depicted as a large, hideous, humanoid being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend.

In mythology, ogres are often depicted as inhumanly large, tall, and having a disproportionately large head, abundant hair, unusually colored skin, a voracious appetite, and a strong body. Ogres are closely linked with giants and with human cannibals in mythology. In both folklore and fiction, giants are often given ogrish traits (such as the giants in "Jack and the Beanstalk" and "Jack the Giant Killer", the Giant Despair in The Pilgrim's Progress, and the Jötunn of Norse mythology); while ogres may be given giant-like traits.

↓ Explore More Topics
In this Dossier

The Pilgrim's Progress in the context of Restoration literature

Restoration literature is the English literature written during the historical period commonly referred to as the English Restoration (1660–1688), which corresponds to the last years of Stuart reign in England, Scotland, Wales, and Ireland. In general, the term is used to denote roughly homogeneous styles of literature that centre on a celebration of or reaction to the restored court of Charles II. It is a literature that includes extremes, for it encompasses both Paradise Lost and the Earl of Rochester's Sodom, the high-spirited sexual comedy of The Country Wife and the moral wisdom of The Pilgrim's Progress. It saw Locke's Treatises of Government, the founding of the Royal Society, the experiments and holy meditations of Robert Boyle, the hysterical attacks on theatres from Jeremy Collier, and the pioneering of literary criticism from John Dryden and John Dennis. The period witnessed news becoming a commodity, the essay developing into a periodical art form, and the beginnings of textual criticism.

The dates for Restoration literature are a matter of convention, and they differ markedly from genre to genre. Thus, the "Restoration" in drama may last until 1700, while in poetry it may last only until 1666 (see 1666 in poetry) and the annus mirabilis; and in prose it might end in 1688, with the increasing tensions over succession and the corresponding rise in journalism and periodicals, or not until 1700, when those periodicals grew more stabilized. In general, scholars use the term "Restoration" to denote the literature that began and flourished under Charles II, whether that literature was the laudatory ode that gained a new life with restored aristocracy, the eschatological literature that showed an increasing despair among Puritans, or the literature of rapid communication and trade that followed in the wake of England's mercantile empire.

↑ Return to Menu

The Pilgrim's Progress in the context of Ordo salutis

The term ordo salutis (Latin: "order of salvation") refers to a series of conceptual steps within the Christian doctrine of salvation.

↑ Return to Menu

The Pilgrim's Progress in the context of Liam Neeson

William John Neeson OBE (born 7 June 1952) is a Northern Irish actor. He has received several accolades, including nominations for an Academy Award, a BAFTA Award, three Golden Globe Awards, two Tony Awards and one Volpi Cup. With a film career spanning more than forty years, Neeson is regarded as one of Ireland's greatest film actors. Films in which he has appeared have grossed over $11.7 billion worldwide. Neeson was appointed Officer of the Order of the British Empire (OBE) in 2000.

Neeson made his film debut in 1978 with Pilgrim's Progress followed by early roles in Excalibur (1981), The Bounty (1984), The Mission (1986), The Dead Pool (1988), and Husbands and Wives (1992). He rose to prominence portraying Oskar Schindler in Steven Spielberg's Holocaust drama Schindler's List (1993) for which he earned an Academy Award for Best Actor nomination. He played leading man roles in drama films such as Nell (1994), Rob Roy (1995), Michael Collins (1996), and Les Misérables (1998). He took blockbuster roles portraying Qui-Gon Jinn in Star Wars: Episode I – The Phantom Menace (1999), Ra's al Ghul in Batman Begins (2005), and Aslan in The Chronicles of Narnia trilogy (2005–2010).

↑ Return to Menu

The Pilgrim's Progress in the context of Beelzebub

Ba'al Zabub, Ba'al Zvuv or Beelzebub (/bˈɛlzəbʌb, ˈbl-/ bee-EL-zə-bub, BEEL-; Hebrew: בַּעַל־זְבוּב Baʿal-zəḇūḇ), also spelled Beelzebul or Belzebuth, and occasionally known as the Lord of the Flies, is a name derived from a Philistine god, formerly worshipped in Ekron, and later adopted by some Abrahamic religions as a major demon. The name Beelzebub is associated with the Canaanite god Baal.

In theological sources, predominantly Christian, Beelzebub is another name for Satan. He is known in demonology as one of the seven deadly demons or seven princes of Hell, Beelzebub representing gluttony and envy. The Dictionnaire Infernal describes Beelzebub as a being capable of flying, known as the "Lord of the Flies", "Lord of the Flyers", or the "Lord of the Flying Demons". He is also referenced in the well-known novel Lord of the Flies by William Golding due to his ties to hell and the themes of the book.

↑ Return to Menu