The Moon Is Blue (film) in the context of "Maggie McNamara"

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👉 The Moon Is Blue (film) in the context of Maggie McNamara

Marguerite McNamara (June 18, 1928 – February 18, 1978) was an American stage, film, and television actress and model. McNamara began her career as a teenage fashion model. She first came to public attention as Patty O'Neill in the 1951 national tour of F. Hugh Herbert's The Moon Is Blue which ran concurrently with the original Broadway production. In 1952 she succeeded Barbara Bel Geddes in that role in the Broadway production. Both productions were directed by Otto Preminger, and Preminger also directed McNamara in that role in the controversial 1953 film adaptation of that work. She earned an Academy Award nomination for Best Actress for her role in the film.

She appeared in only three films after The Moon Is Blue, with her last being The Cardinal in 1963. After five guest-starring roles in television series in the early 1960s, she retired from acting. For the remainder of her life, she worked as a typist in New York City. On February 18, 1978, McNamara died of an intentional barbiturate overdose at the age of 49.

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The Moon Is Blue (film) in the context of Otto Preminger

Otto Ludwig Preminger (/ˈprɛmɪnər/ PREM-in-jər; German: [ˈɔtoː ˈpreːmɪŋɐ] ; 5 December 1905 – 23 April 1986) was an Austrian-American film and theatre director, film producer and actor. He directed more than 35 feature films in a five-decade career after leaving the theatre, and was one of the most influential directors in Hollywood during the 1940s and 1950s. He was nominated for three Academy Awards, twice for Best Director and once for Best Picture, among many other accolades.

After achieving theatrical prominence in Vienna, Preminger emigrated to the United States in the mid-1930s, working as a director for 20th Century Fox. He first gained attention for film noir mysteries such as Laura (1944) and Fallen Angel (1945), while in the 1950s and 1960s, he directed high-profile adaptations of popular novels and stage works. Several of these later films pushed the boundaries of censorship by dealing with themes which were then taboo in Hollywood, such as premarital sexuality (The Moon Is Blue, 1953), drug addiction (The Man with the Golden Arm, 1955), rape (Anatomy of a Murder, 1959) and homosexuality (Advise & Consent, 1962). He also had several acting roles, most famously as a Nazi POW camp commandant in Stalag 17.

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