The Love Song of J. Alfred Prufrock in the context of "Hugh Selwyn Mauberley"

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⭐ Core Definition: The Love Song of J. Alfred Prufrock

"The Love Song of J. Alfred Prufrock" is the first professionally published poem by the American-born British poet T. S. Eliot (1888–1965). It relates the varying thoughts of its title character in a stream of consciousness. Eliot began writing it in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of his fellow American expatriate the poet Ezra Pound. It was later printed as part of a twelve-poem chapbook entitled Prufrock and Other Observations in 1917. At the time of its publication, the poem was considered outlandish, but it is now seen as heralding a paradigmatic shift in poetry from late-19th-century Romanticism and Georgian lyrics to Modernism.

Its structure was heavily influenced by Eliot's extensive reading of Dante Alighieri and makes several references to the Bible and other literary works—including William Shakespeare's plays Henry IV Part II, Twelfth Night and Hamlet; the works of Andrew Marvell, a 17th-century metaphysical poet; and the 19th-century French Symbolists. Eliot narrates the experience of Prufrock using the stream of consciousness technique developed by his fellow Modernist writers. The poem, described as a "drama of literary anguish", is a dramatic interior monologue of an urban man stricken with feelings of isolation and an incapability for decisive action that is said "to epitomize [the] frustration and impotence of the modern individual" and "represent thwarted desires and modern disillusionment".

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👉 The Love Song of J. Alfred Prufrock in the context of Hugh Selwyn Mauberley

Hugh Selwyn Mauberley (1920) is a long poem by Ezra Pound. It has been regarded as a turning point in Pound's career (by F. R. Leavis and others), and its completion was swiftly followed by his departure from England. The name "Selwyn" might have been an homage to Rhymers' Club member Selwyn Image. The name and personality of the titular subject are also reminiscent of T. S. Eliot's main character in "The Love Song of J. Alfred Prufrock".

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The Love Song of J. Alfred Prufrock in the context of Ezra Pound

Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and The Cantos (c. 1915–1962).

Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped to discover and shape the work of contemporaries such as H.D., Robert Frost, T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling its cold".

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