The Long Goodbye (film) in the context of "John Williams"

Play Trivia Questions online!

or

Skip to study material about The Long Goodbye (film) in the context of "John Williams"

Ad spacer

⭐ Core Definition: The Long Goodbye (film)

The Long Goodbye is a 1973 American satirical neo-noir film directed by Robert Altman, adapted by Leigh Brackett from Raymond Chandler's 1953 novel of the same name. The film stars Elliott Gould as Philip Marlowe along with Nina van Pallandt, Sterling Hayden, Mark Rydell, Henry Gibson, David Arkin, and Jim Bouton, and has an early, uncredited appearance by Arnold Schwarzenegger.

The story's setting was moved from the 1940s to 1970s Hollywood. The film has been called "a study of a moral and decent man cast adrift in a selfish, self-obsessed society where lives can be thrown away without a backward glance ... and any notions of friendship and loyalty are meaningless."

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 The Long Goodbye (film) in the context of John Williams

John Towner Williams (born February 8, 1932) is an American composer and conductor. Over his seven-decade career, he has composed many of the best known scores in film history. His compositional style blends romanticism, impressionism, and atonal music with complex orchestration. Best known for his collaborations with George Lucas and Steven Spielberg, he has received numerous accolades, including 26 Grammy Awards, five Academy Awards, seven BAFTA Awards, three Emmy Awards, and four Golden Globe Awards. With a total of 54 Academy Award nominations, he is the second-most nominated person in the award's history, after Walt Disney. He is also the oldest Academy Award nominee in any category, receiving a nomination at 91 years old.

Williams's early work as a film composer includes None but the Brave (1965), Valley of the Dolls (1967), Goodbye, Mr. Chips (1969), Images and The Cowboys (both 1972), The Long Goodbye (1973) and The Towering Inferno (1974). He has collaborated with Spielberg since The Sugarland Express (1974), composing music for all but five of his feature films. He received five Academy Awards for Best Score/Best Score Adaptation for Fiddler on the Roof (1971); score adaptation of the original music by Jerry Bock), Jaws (1975), Star Wars (1977), E.T. the Extra-Terrestrial (1982) and Schindler's List (1993). Other memorable collaborations with Spielberg include Close Encounters of the Third Kind (1977), the Indiana Jones franchise (1981–2023), Hook (1991), Jurassic Park (1993) and its sequel The Lost World: Jurassic Park (1997), Saving Private Ryan (1998), Catch Me If You Can (2002), War Horse (2011), Lincoln (2012), and The Fabelmans (2022). He also scored Superman (1978) and two of its sequels, the first two Home Alone films (1990–1992), and the first three Harry Potter films (2001–2004). Outside of his long-term collaborations with Spielberg and Lucas, Williams has composed the scores for films directed by William Wyler, Clint Eastwood, Alfred Hitchcock, Brian De Palma, John Badham, George Miller, Oliver Stone, Chris Columbus, Ron Howard, Barry Levinson, John Singleton, Alan Parker, Alfonso Cuarón, and Rob Marshall.

↓ Explore More Topics
In this Dossier