The Life and Death of Colonel Blimp in the context of "Mignon"

Michael Latham Powell (30 September 1905 – 19 February 1990) was an English filmmaker, celebrated for his partnership with Emeric Pressburger. Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death (1946, Stairway to Heaven in the U.S.), Black Narcissus (1947), The Red Shoes (1948) and The Tales of Hoffmann (1951).

His controversial Peeping Tom (1960), which was so vilified on first release that it seriously damaged his career, is now considered a classic, and possibly the earliest "slasher movie". Many renowned filmmakers, such as Francis Ford Coppola, George A. Romero, Brian De Palma, Bertrand Tavernier and Martin Scorsese have cited Powell as an influence.

Deborah Jane Trimmer (30 September 1921 – 16 October 2007), known professionally as Deborah Kerr (/kɑːr/), was a British film star. Kerr rose to fame for her portrayals of proper, ladylike women, who often navigated societal expectations and stereotypes. Kerr attracted wide praise for her work, earning six Academy Award nominations for Best Actress. She was regarded as one of the best actresses of her generation. From the 1940s to the late 1960s, she was one of the most popular actresses in the world.

Following a brief career as a ballerina, Kerr moved to the stage and acted in various Shakespeare productions and small plays before making her film debut in Major Barbara (1941). This led to additional leading roles which raised her profile, such as Love on the Dole (1941), Hatter's Castle (1942), and The Day Will Dawn (1942). In 1943, Kerr played three women in Michael Powell and Emeric Pressburger's romantic-war drama The Life and Death of Colonel Blimp, which consistently ranks among the greatest British films of all time. Following major successes in the spy comedy I See a Dark Stranger (1946) and psychological drama Black Narcissus (1947), Kerr transitioned to Hollywood under the helm of Metro-Goldwyn-Mayer Studios (MGM).