The Hare with Amber Eyes: A Hidden Inheritance (2010) is a family memoir by British ceramicist Edmund de Waal. De Waal tells the story of his family, the Ephrussi, once a very wealthy European Jewish banking dynasty, centred in Odessa, Vienna and Paris, and peers of the Rothschild family. The Ephrussis lost almost everything in 1938 when the Nazis confiscated their property, and were unable to recover most of their property after the war, including priceless artwork; an easily hidden collection of 264 Japanese netsuke miniature sculptures was saved, tucked away inside a mattress by Anna, a loyal maid at Palais Ephrussi in Vienna during the war years. The collection has been passed down through five generations of the Ephrussi family, providing a common thread for the story of its fortunes from 1871 to 2009.
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👉 The Hare with Amber Eyes in the context of Edmund de Waal
Edmund Arthur Lowndes de Waal, CBE (born 10 September 1964) is an English contemporary artist, potter and author. He is known for his large-scale installations of porcelain vessels often created in response to collections and archives or the history of a particular place. De Waal's book The Hare with Amber Eyes was awarded the Costa Book Award for Biography, Royal Society of Literature Ondaatje Prize in 2011 and Windham–Campbell Literature Prize for Non-Fiction in 2015. De Waal's second book, The White Road, tracing his journey to discover the history of porcelain, was released in 2015.
He lives and works in London, England.
The Hare with Amber Eyes in the context of Netsuke
A netsuke (根付; [netsɯ̥ke]) is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an inrō box, netsuke later developed into ornately sculpted objects of craftsmanship.