The Garden of Earthly Delights in the context of The Last Judgment (Bosch, Vienna)


The Garden of Earthly Delights in the context of The Last Judgment (Bosch, Vienna)

⭐ Core Definition: The Garden of Earthly Delights

The Garden of Earthly Delights (Dutch: De tuin der lusten, lit.'The garden of lusts') is the modern title given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. Because of Bosch's religious beliefs, interpretations of the work typically assume it is a warning against the perils of temptation. The outer panels place the work on the Third Day of Creation. The intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries.

Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning of the whole. Each of these three works presents distinct yet linked themes addressing history and faith. Triptychs from this period were generally intended to be read sequentially, the left and right panels often portraying Eden and the Last Judgment respectively, while the main subject was contained in the centerpiece.

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The Garden of Earthly Delights in the context of Hieronymus Bosch

Hieronymus Bosch (/hˈrɒnɪməs bɒʃ, bɔːʃ, bɔːs/; Dutch: [ɦijeːˈroːnimʏz ˈbɔs] ; born Jheronimus van Aken [jeːˈroːnimʏs fɑn ˈaːkə(n)]; c. 1450 – 9 August 1516) was a Dutch painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime, his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell.

Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (reflected in his surname, Van Aken). His original, fantastical style cast a wide influence on northern art of the 16th century; Pieter Bruegel the Elder was his best-known follower. Today, Bosch is seen as a highly individualistic artist who offered profound insights into humanity's desires and deepest fears. Attribution of his work has been especially difficult; today only about 25 paintings are confidently given to his hand along with eight drawings. About another half-dozen paintings are confidently attributed to his workshop. His most acclaimed works consist of three triptych altarpieces, particularly The Garden of Earthly Delights.

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The Garden of Earthly Delights in the context of Fantastic art

Fantastic art is a broad and loosely defined art genre. It is not restricted to a specific school of artists, geographical location or historical period. It can be characterised by subject matter—which portrays non-realistic, mystical, mythical or folkloric subjects or events—and style, which is representational and naturalistic, rather than abstract—or in the case of magazine illustrations and similar, in the style of graphic novel art such as manga.

Fantasy has been an integral part of art since its beginnings, but has been particularly important in mannerism, magic realist painting, romantic art, symbolism, surrealism and lowbrow. In French, the genre is called le fantastique, in English it is sometimes referred to as visionary art, grotesque art or mannerist art. It has had a deep and circular interaction with fantasy literature.

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