The Four Horsemen of the Apocalypse (1921 film) in the context of "Superstar"

Play Trivia Questions online!

or

Skip to study material about The Four Horsemen of the Apocalypse (1921 film) in the context of "Superstar"




⭐ Core Definition: The Four Horsemen of the Apocalypse (1921 film)

The Four Horsemen of the Apocalypse is a 1921 American silent epic war film produced by Metro Pictures Corporation and directed by Rex Ingram. Based on the 1916 Spanish novel The Four Horsemen of the Apocalypse, by Vicente Blasco Ibáñez, it was adapted for the screen by June Mathis. The film stars Pomeroy Cannon, Josef Swickard, Bridgetta Clark, Rudolph Valentino, Wallace Beery, and Alice Terry.

Often regarded as one of the first anti-war films, it had a huge cultural impact and became the top-grossing film of 1921 by beating out Charlie Chaplin's The Kid. The film turned the little-known actor Rudolph Valentino into a superstar and associated him with the image of the Latin lover. The film also inspired a tango craze and such fashion fads as gaucho pants. The film was written by June Mathis, who, by its success, became one of the most powerful women in Hollywood of the time.

↓ Menu

In this Dossier

The Four Horsemen of the Apocalypse (1921 film) in the context of Silent film

A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.

The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema prior to the invention of synchronized sound, but it also applies to such sound-era films as City Lights, Modern Times and Silent Movie which are accompanied by a music-only soundtrack in place of dialogue.

↑ Return to Menu