The Faerie Queene in the context of "Spenserian stanza"

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⭐ Core Definition: The Faerie Queene

The Faerie Queene is an English epic poem by Edmund Spenser. Books I–III were first published in 1590, then republished in 1596 together with books IV–VI. The Faerie Queene is notable for its form: at over 36,000 lines and over 4,000 stanzas, it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues. The poem is also an allegorical work. As such, it can be read on several levels, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing The Faerie Queene was to "fashion a gentleman or noble person in virtuous and gentle discipline".

Spenser presented the first three books of The Faerie Queene to Elizabeth I in 1589, probably sponsored by Walter Raleigh. The poem was a clear effort to gain court favour, and as a reward Elizabeth granted Spenser a pension for life amounting to £50 a year, though there is no further evidence that Elizabeth ever read any of the poem. This royal patronage elevated the poem to a level of success that made it Spenser's defining work.

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👉 The Faerie Queene in the context of Spenserian stanza

The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter. The rhyme scheme of these lines is.

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The Faerie Queene in the context of Edmund Spenser

Edmund Spenser (/ˈspɛnsər/; c. 1552 – 13 January 1599 O.S.) was an English poet best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse, and he is considered one of the great poets in the English language.

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The Faerie Queene in the context of Flattery

Flattery, also called adulation or blandishment, is the act of giving excessive compliments, generally for the purpose of ingratiating oneself with the subject. It is also used in pick-up lines when attempting to initiate sexual or romantic courtship.

Historically, flattery has been used as a standard form of discourse when addressing a king or queen. In the Renaissance, it was a common practice among writers to flatter the reigning monarch, as Edmund Spenser flattered Queen Elizabeth I in The Faerie Queene, William Shakespeare flattered King James I in Macbeth, Niccolò Machiavelli flattered Lorenzo II de' Medici in The Prince and Jean de La Fontaine flattered Louis XIV of France in his Fables.

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