The Entertainer (rag)

Ragtime, also spelled rag-time or rag time, is a musical style that was popular and heavily influenced musical genres such as the Blues, and was seen in the United States from the 1890s to 1910s. Its signature trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott, and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on the piano, though the genre has been adapted for a variety of instruments and styles.

Ragtime music originated within African American communities in the late 19th century and became a distinctly American form of popular music. It is closely related to marches. Ragtime pieces usually contain several distinct themes, often arranged in patterns of repeats and reprises. Scott Joplin, known as the "King of Ragtime", gained fame through compositions like "Maple Leaf Rag" and "The Entertainer". Ragtime influenced early jazz, Harlem stride piano, Piedmont blues, and early 20th century European classical composers such as Erik Satie, Claude Debussy, and Igor Stravinsky. Despite being overshadowed by jazz in the 1920s, ragtime has experienced several revivals, notably in the 1950s and 1970s (the latter renaissance due in large part to the use of "The Entertainer" in the film The Sting). The music was distributed primarily through sheet music and piano rolls, with some compositions adapted for other instruments and ensembles.

The Sting is a 1973 American caper film. Set in 1936, it involves a complicated plot by two professional grifters (Paul Newman and Robert Redford) to con a mob boss (Robert Shaw). The film was directed by George Roy Hill, who had directed Newman and Redford in Butch Cassidy and the Sundance Kid (1969). The screenplay, by David S. Ward, was inspired by real-life cons perpetrated by brothers Fred and Charley Gondorff and documented by David Maurer in his 1940 book The Big Con: The Story of the Confidence Man.

The film plays out in sections introduced by old-fashioned title cards, drawn by artist Jaroslav "Jerry" Gebr in a style reminiscent of the Saturday Evening Post. It is noted for its use of ragtime, particularly the melody "The Entertainer" by Scott Joplin, which was adapted (along with other Joplin pieces) for the film by Marvin Hamlisch, producing a Billboard-topping soundtrack and a top-10 single. The film's success created a resurgence of interest in Joplin's work.