Textile arts in the context of Art

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts, as well as arts of other types. Within the visual arts, the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art are also included.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.

The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings.

Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect.

Aesthetics in textiles is one of the basic concepts of the serviceability of textiles. It is determined by the perception of touch and sight. Aesthetics imply the appearance and attraction of textile products; it includes the color and texture of the material. It is a statement about the end user (consumer) and the target market. When combined with fabric construction, the finish of the clothing material, garment fit, style, and fashion compatibility, colours create an aesthetic comfort. All of these elements work together to satisfy our visual perception. Aesthetics incorporates the role of evaluation (analysing and judging) also.

There are various arts and applications that imparts aesthetic properties in textiles. Additionally, the use of LEDs and optical fibres enables the creation of aesthetic properties such as illuminated textiles.

William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he campaigned for socialism in fin de siècle Great Britain.

Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying classics at Oxford University, where he joined the Birmingham Set. After university, he married Jane Burden, and developed close friendships with Pre-Raphaelite artists and poets such as Dante Gabriel Rossetti, Algernon Charles Swinburne, and Edward Burne-Jones, as well as with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded the Morris, Marshall, Faulkner & Co. decorative arts firm with Burne-Jones, Rossetti, Webb, and others, which became highly fashionable and much in demand. The firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, he assumed total control of the company, which was renamed Morris & Co.

Tapestry is a form of textile art which was traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives.

In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. The European tradition continued to develop and reflect wider changes in artistic styles until the French Revolution and Napoleonic Wars, before being revived on a smaller scale in the 19th century.

The Paracas culture was an Andean society existing between approximately 800 BCE and 100 BCE, located in what today is the Ica Region of Peru. The Paracas people had extensive knowledge of irrigation and water management and made significant contributions in the textile arts. Most of the information about the lives of the Paracas people comes from excavations at the large seaside Paracas site on the Paracas Peninsula, first formally investigated in the 1920s by Peruvian archaeologist Julio Tello.

The Paracas Cavernas are shaft tombs set into the top of Cerro Colorado, each containing multiple burials. There is evidence that over the centuries when the culture thrived, these tombs were reused. In some cases, the heads of the deceased were taken out, apparently for rituals, and later reburied. The associated ceramics include incised polychrome, "negative" resist decoration, and other wares of the Paracas tradition. The associated textiles include many complex weave structures, as well as elaborate plaiting and knotting techniques.

Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. It is one of the oldest forms of textile art, with origins dating back thousands of years across various cultures. Common stitches found in early embroidery include the chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch. Modern embroidery continues to utilize traditional techniques, though many contemporary stitches are exclusive to machine embroidery.

Embroidery is commonly used to embellish accessories and garments is usually seen on quilts, clothing, and accessories. In addition to thread, embroidery may incorporate materials such as pearls, beads, quills, and sequins to highlight texture and design. Today, embroidery serves both decorative and functional purposes and is utilized in fashion expression, cultural identity, and custom-made gifts.

Sewing is the craft of fastening pieces of textiles together using a sewing needle and thread. Sewing is one of the oldest of the textile arts, originating in the Paleolithic era. Archaeological evidence suggests that early humans in Europe and Asia produced garments from fur and leather clothing using bone, antler or ivory sewing-needles and "thread" made of various animal body parts including sinew, catgut, and veins.

For thousands of years, all sewing was done by hand. The sewing machine which was invented in the 19th century enabled mechanized stitching, and the mass production of garments expanded in the 20th century. Hand sewing remains common in high-quality tailoring, haute couture fashion, and custom dressmaking, and is practiced by both textile artists and hobbyists as a means of creative expression.

Needlework refers to decorative sewing and other textile handicrafts that involve the use of a needle. Needlework may also include related textile crafts like crochet (which uses a hook), or tatting, (which uses a shuttle).

Similar abilities often transfer well between different varieties of needlework, such as fine motor skill and knowledge of textile fibers. Some of the same tools may be used in several different varieties of needlework.

In the textile arts, a stitch is a single turn or loop of thread, or yarn. Stitches are the fundamental elements of sewing, knitting, embroidery, crochet, and needle lace-making, whether by hand or machine. A variety of stitches, each with one or more names, are used for specific purposes.

Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century.

Although its most influential period was during the flourishing of the Arts and Crafts Movement in the 1880s and 1890s, Morris & Co. remained in operation in a limited fashion from World War I until its closure in 1940. The firm's designs are still sold today under licences given to Sanderson & Sons, part of the Walker Greenbank wallpaper and fabrics business (which owns the "Morris & Co." brand,) and to Liberty of London.

In the textile arts, plying (from the French verb plier, "to fold", from the Latin verb plico, from the ancient Greek verb πλέκω.) is a process of twisting one or more strings (called strands or plies) of yarn together to create a stronger yarn. Strands are twisted together in the direction opposite that in which they were spun. Plied yarns will not unravel, break, or degrade as easily as unplied yarns. When enough twist is added to the plies to counter the initial twist of each strand, the resulting yarn is "balanced", having no tendency to twist upon itself.

The number of strands used to make the yarn is usually the same as the number of plies it has. Two-ply yarn means two strands were used, three-ply yarn means three strands were used, etc. Embroidery floss is generally a six-ply yarn, for example. There are some exceptions to this, most notably in chain plying.

In the textile arts, a motif (pronunciation) (also called a block or square) is a smaller element in a much larger work. In knitting and crochet, motifs are made one at a time and joined together to create larger works such as afghan blankets or shawls. An example of a motif is the granny square. Motifs may be varied or rotated for contrast and variety, or to create new shapes, as with quilt blocks in quilts and quilting. Contrast with motif-less crazy quilting.

Motifs can be any size, but usually all the motifs in any given work are the same size. The patterns and stitches used in a motif may vary greatly, but there is almost always some unifying element, such as texture, stitch pattern, or colour, which gives the finished piece more aesthetic appeal. Motifs may commemorate events or convey information or political slogans. For example, the individual blocks of the AIDS Memorial Quilt, the possible Quilts of the Underground Railroad, and the "54-40 or Fight" quilt block.