Tevaram in the context of "Meenakshi Temple"

Tirumurai (Tamil: திருமுறை, meaning "the holy way") is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century. During the course of time, a strong necessity was felt by scholars to compile Shaiva literature to accommodate other works. Tiruvasakam and Tirukovayar by Manickavasagar are included as the eighth, nine parts are compiled as the ninth Tirumurai out of which most are unknown, and the tenth as Tirumandiram by Tirumular, the famous Siddhar. The eleventh is compiled by Karaikal Ammaiyar, Cheraman Perumal and others. The contemporary Chola king was impressed by the work of Nambi and included Nambi's work in the eleventh Tirumurai. Sekkilar's Periya Puranam, composed a century later, contains the life depiction of all the 63 Nayanmars. The response for the work was so tremendous among Shaiva scholars and Kulothunga Chola II that it was included as the 12th Tirumurai. Tirumurai along with Vedas and Shaiva agamas form the basis of Shaiva Siddantha philosophy in South India and Sri Lanka.

The Arunachalesvara Temple or Annamalaiyar Temple, is a Hindu temple dedicated to Shiva and Parvati, located at the foothills of the Arunachala hill in Tiruvannamalai, Tamil Nadu, India. It is regarded as one of the significant temples in the Tamil Shaivite tradition. It is one of the Pancha Bhuta Sthalams and is associated with the element of fire (Agni) among the five natural elements. The presiding deity of the temple is Annamalaiyar (meaning "the mountain that cannot be reached"), who is worshipped as the embodiment of the hill itself, and is represented by a lingam known as the Agni Lingam, symbolizing the element of fire. Parvathi, revered as Unnamulai ammai, is represented by the yoni, with her idol referred to as the Agni Yoni.

The temple is classified as one of the Paadal Petra Sthalams, one of the 276 sacred Saivite temples glorified in medieval Tamil Shaiva literature. It is celebrated in canonical Tamil devotional works such as the Tevaram composed by the Nayanars in 7th century CE, Tiruvempavai by Manikkavacakar in 9th century CE, and Tiruppukal by Arunagirinathar in the 14th century CE.

Meenakshi Temple, also known as Meenakshi Sundareswarar Temple, is a historic Hindu temple located on the southern bank of the Vaigai River in Madurai, Tamil Nadu, India. It is dedicated to Meenakshi, a form of Parvati, and her consort Sundareswarar (Shiva). The temple is theologically significant as it represents a confluence of various denominations of Hinduism such as Shaivism, Shaktism, and Vaishnavism.

While the Sangam literature mentions the temple city of Madurai, the existence of a temple is first referenced in the Tamil texts from 6th century CE. It is one of the Paadal Petra Sthalams, Shiva temples that are revered in the Tevaram verses composed by the Nayanars between the 6th and 11th century CE. The early structures of the temple were built during the reign of the Pandyas in the 12th to 13th century CE. It was later rebuilt by the Vijayanagara Empire in the 14th century CE, after its destruction by the armies of the Delhi Sultanate. The temple complex was later expanded extensively by the Madurai Nayaks in the 16th and 17th centuries. While a few structural improvements were made during the 18th and 19th centuries CE, the temple condition degraded due to negligence during the British Raj. After the Indian independence in the mid 20th century, the temple was restored with donations collected from people. Further restoration and kumbhabhishekam of the temple was conducted in 1974, 1995, and 2009.

Nataraja (Sanskrit: नटराज, IAST: Naṭarāja; Tamil: நடராஜர், Naṭarājar), also known as Adalvallan (ஆடல்வல்லான், Ādalvallāṉ), is a depiction of Shiva, one of the main deities in Hinduism, as the divine cosmic dancer. His dance is called the tandava. The pose and artwork are described in many Hindu texts such as the Tevaram and Thiruvasagam in Tamil and the Amshumadagama and Uttarakamika agama in Sanskrit and the Grantha texts. The dance murti is featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, as one of the finest illustrations of Hindu art. This form is also referred to as Kuththan (கூத்தன், Kūththaṉ), Sabesan (சபேசன், Sabēsaṉ), and Ambalavanan (அம்பலவாணன், Ambalavāṇaṉ) in various Tamil texts.

The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil devotional texts such as the Tirumurai (The twelve books of Southern Shaivism) state that Nataraja is the form of Shiva in which he performs his functions of creation, destruction, preservation, and is also attributed with maya and the act of blessing his devotees. Thus, Nataraja is considered one of the highest forms of Shiva in Tamil Nadu, and the sculpture or the bronze idol of Nataraja is worshipped in almost all Shiva temples across Tamil Nadu. It typically shows Saiva dancing in one of the Natya Shastra poses, holding various symbols which vary with historic period and region, trampling upon a demon shown as a dwarf (Apasmara or Muyalaka) who symbolizes spiritual ignorance.