Tereus in the context of "Lynceus"

Pagae or Pagai (/ˈpædʒiː/; Doric Greek: Παγαί), or Pegae or Pegai (Ancient Greek: Πηγαί) was a town of ancient Megaris, on the Alcyonian or Corinthian Gulf. According to some sources of greek mythology Pagae had been the home town of Tereus. It was the harbour of Megaris on the western coast, and was the most important place in the country next to the capital. According to Strabo it was situated on the narrowest part of the Megaric isthmus, the distance from Pagae to Nisaea being 120 stadia. When the Megarians joined Athens in 455 BCE, the Athenians garrisoned Pagae, and its harbour was of service to them in sending out an expedition against the northern coast of Peloponnesus. The Athenians retained possession of Pagae a short time after Megara revolted from them in 454 BCE; but, by the thirty years' truce made in the same year, they surrendered the place to the Megarians. At one period of the Peloponnesian War (424 BCE) we find Pagae held by the aristocratical exiles from Megara. Pagae continued to exist until a late period, and under the Roman emperors was a place of sufficient importance to coin its own money. Strabo calls it τὸ τῶν Μεγαρέων φρούριον. Pausanias visited in the 2nd century and saw there a chapel of the hero Aegialeus, who fell at Glisas in the second expedition of the Argives against Thebes, but who was buried at this place. He also saw near the road to Pagae, a rock covered with marks of arrows, which were supposed to have been made by a body of the Persian cavalry of Mardonius, who in the night had discharged their arrows at the rock under the impulse of Artemis, mistaking it for the enemy. In commemoration of this event, there was a brazen statue of Artemis Soteira at Pagae. From 193 BCE Pagae was a member of the Achaean League. Pagae is also mentioned in other ancient sources, including Ptolemy, Stephanus of Byzantium, Pomponius Mela, Pliny the Elder, Hierocles, and the Tabula Peutingeriana, where it is called Pache.

Its site is located near the modern Alepochori. Remains of the city walls can be seen today.

Bistonis is a nymph in Greek mythology who gave birth to a son of Ares, Tereus. Although she is mentioned in several surviving classical texts, she is the main subject of few or none. In at least one poem, written by Moschus in the 3rd century BCE, Lake Bistonis, in Thrace, is referred to as being her lake, and that lake is described as having a population of nymphs:

Her name is similar to the name of a city in Thrace, Bistonia, said in ancient Greek mythology to have been built on the shores of that lake by Biston, who was the son of Ares and Callirrhoe.

Procne (/ˈprɒkni/; Ancient Greek: Πρόκνη, Próknē [pró.knɛː]) or Progne is a minor figure in Greek and Roman mythology. Traditionally she is an Athenian princess as the elder daughter of a king of Athens named Pandion. Procne was married to the king of Thrace, Tereus, who instead lusted after her sister Philomela. Tereus forced himself on Philomela and locked her away. When Procne discovered her sister and her gruesome fate, she took revenge against her husband by murdering their only child, a young boy named Itys. Procne's story serves as an origin myth for the nightingale, a singing bird whose melodic song was believed to be a sad lament.

Procne's mythological doublet is Aëdon, the queen of Thebes who also turned into a nightingale after killing her only son. Procne's origins seem to lie in earlier traditions about the nightingale and its sorrowful song before the definitive version of her tale was probably codified during the fifth century BC in the now lost play Tereus by the Athenian tragedian Sophocles, whose initial popularity eclipsed the prior story with Aëdon. However, Procne's myth became widely known in the post-classical era due to its inclusion in Ovid's Metamorphoses, a narrative poem that went on to influence a great number of artists and authors in the western canon.

In Greek mythology, Itys (Ancient Greek: Ἴτυς, romanized: Ítus) is a minor mythological Thracian character, the son of Tereus, a king of Thrace, by his Athenian wife Procne. Itys was murdered by his own mother and aunt and served to be consumed during dinner by his father, as part of a revenge plan against Tereus for assaulting and raping the maiden Philomela, Procne's sister.

Following those events, Itys' immediate family were all transformed into birds afterwards, and in some versions he too joins them in the avian kingdom. Itys' story survives in several accounts, the most extensive and famous among them being Ovid's Metamorphoses. His myth had been known since at least the sixth century BC, though myths that would eventually shape the standard tale go back even further.

Tereus (Ancient Greek: Τηρεύς, Tēreus) is a lost Greek play by the Athenian poet Sophocles. Although fragments have long been known, the discovery of a synopsis among the Oxyrhynchus Papyri has allowed an attempt at a reconstruction. Although the date that the play was first produced is not known, it is known that it was produced before 414 BCE, because the Greek comedic playwright Aristophanes referenced Tereus in his play The Birds, which was first performed in 414. Thomas B. L. Webster dates the play to near but before 431 BCE, based on circumstantial evidence from a comment Thucydides made in 431 about the need to distinguish between Tereus and the King of Thrace, Teres, which Webster believes was made necessary by the popularity of Sophocles's play around this time causing confusion between the two names. Based on references in The Birds it is also known that another Greek playwright, Philocles, had also written a play on the subject of Tereus, and there is evidence both from The Birds and from a scholiast that Sophocles' play came first.

Some scholars believe that Sophocles' Tereus was influenced by Euripides' Medea, and thus must have been produced after 431. However, this is not certain and any influence may well have been in the opposite direction, with Sophocles' play influencing Euripides. Jenny Marsh believes that Euripides' Medea did come before Sophocles' Tereus, based primarily on a statement in Euripides' chorus "I have heard of only one woman, only one of all that have lived, who put her hand on her own children: Ino." Marsh takes this to imply that as of the time of Medea's production, the myth of Tereus had not yet incorporated the infanticide, as it did in Sophocles' play. Akiko Kiso was the first Japanese scholar to publish on Sophocles. In 1984 Kiso published The Lost Sophocles, which reconsidered fragments of Sophocles' lost works. It included reconstructions of Epigoni and Tereus.