Tenor in the context of Voice type

A barbershop quartet is a group of four singers who sing music in the barbershop style, characterized by four-part harmony without instrumental accompaniment (a cappella). The four voices are: the lead, the vocal part which typically carries the melody; a bass, the part which provides the bass line to the melody; a tenor, the part which harmonizes above the lead; and a baritone, the part that frequently completes the chord. The baritone normally sings just below the lead singer, sometimes just above as the harmony requires. Barbershop music is typified by close harmony—the upper three voices generally remain within one octave of each other.

While the traditional barbershop quartet included only male singers, contemporary quartets can include any gender combination. All-female barbershop quartets were often called beauty shop quartets, a term that has fallen out of favor. The voice parts for women's and mixed barbershop groups use the same names as those for male groups since the roles perform similar functions in the quartet although the vocal ranges may be different.

In music theory, the term mode or modus is used in a number of distinct senses, depending on context.

Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek tonoi do not otherwise resemble their medieval/modern counterparts.

The viola (/viˈoʊlə/ vee-OH-lə, () Italian: [ˈvjɔːla, viˈɔːla]) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C₃, G₃, D₄, and A₄.

In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio, meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as Bratsche. The French had their own names: cinquiesme was a small viola, haute contre was a large viola, and taile was a tenor. Today, the French use the term alto, a reference to its range.

The euphonium (English: /juˈfoʊniːəm/ yoo-FOH-nee-əm; Italian: eufonio; Spanish: bombardino) is a tenor- and baritone-voiced valved brass instrument pitched in 9-foot (9′) B♭ an octave below the B♭ trumpet or cornet, employed chiefly in brass, military, and concert bands. The euphonium is a member of the large family of valved bugles, along with the tuba and flugelhorn, characterised by a wide conical bore. Most instruments have four valves, usually compensating piston valves, although instruments with four or five rotary valves are common in Eastern and Central Europe.

Euphonium repertoire can be notated in concert pitch in the bass clef, or in the treble clef as a transposing instrument in B♭. In British brass bands, it is typically treated as a treble-clef instrument, while in American band music, parts may be written in either treble clef or bass clef, or both. A musician who plays the euphonium is known as a euphoniumist, a euphonist, or simply a euphonium player.

Barbershop vocal harmony is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts.

Barbershop music is generally performed by either a barbershop quartet, a group of four typically male singers with one on each vocal part, or a barbershop chorus, which closely resembles a choir with the notable exception of the genre of music.

A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. It is the most common male voice. The term originates from the Greek βαρύτονος (barýtonos), meaning "low sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F₂–F₄) in choral music, and from the second G below middle C to the G above middle C (G₂ to G₄) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.

Earth, Wind & Fire (abbreviated as EW&F or EWF) is an American band formed in Chicago, Illinois, in 1969. Their music spans multiple genres, including jazz, R&B, soul, funk, disco, pop, Latin and Afro-pop. They are among the best-selling bands of all time, with sales of over 90 million records worldwide.

The band was formed by Maurice White, originating out of the Salty Peppers; its history includes a hiatus from mid-1984 to mid-1987. Prominent members have included Verdine White, Philip Bailey, Ralph Johnson, Larry Dunn, Al McKay, Roland Bautista, Robert Brookins, Sonny Emory, Ronnie Laws, Sheldon Reynolds and Andrew Woolfolk. The band is known for its kalimba sound, dynamic horn section, energetic and elaborate stage shows, and the contrast between Bailey's falsetto and Maurice's tenor vocals.

Peter, Paul and Mary was an American folk group formed in New York City in 1961 during the American folk music revival. The trio consisted of Peter Yarrow (guitar, tenor vocals), Paul Stookey (guitar, baritone vocals), and Mary Travers (contralto vocals). The group's repertoire included songs written by Yarrow, Luis Manuel and Stookey, early songs by Bob Dylan, and covers of other folk musicians.

They were very successful in the early- and mid-1960s, with their debut album topping the charts for weeks, and helped popularize the folk music revival. Following Travers's death in 2009, Yarrow and Stookey continued to perform as a duo. Yarrow died in 2025, leaving Stookey the sole surviving member of the group.

Neil Percival Young (born November 12, 1945) is a Canadian and American singer-songwriter. Son of journalist, sportswriter, and novelist Scott Young, Neil embarked on a music career in Winnipeg in the 1960s. Young moved to Los Angeles, forming the folk rock group Buffalo Springfield. Since the beginning of his solo career, often backed by the band Crazy Horse, he released critically acclaimed albums such as Everybody Knows This Is Nowhere (1969), After the Gold Rush (1970), Harvest (1972), On the Beach (1974), and Rust Never Sleeps (1979). He was also a part-time member of Crosby, Stills, Nash & Young, with whom he recorded the chart-topping 1970 album Déjà Vu.

Young's deeply personal lyrics and signature high tenor singing voice define his long career. He also plays piano and harmonica on many albums, which frequently combine folk, rock, country and other musical genres. His often distorted electric guitar playing, especially with Crazy Horse, earned him the nickname "Godfather of Grunge" and led to his 1995 album Mirror Ball with Pearl Jam. More recently, he has been backed by Promise of the Real.

Palau de les Arts Reina Sofía (Valencian: Palau de les Arts Reina Sofia; Spanish: Palacio de las Artes Reina Sofía; anglicised as "Queen Sofía Palace of the Arts") is an opera house, performing arts centre, and urban landmark designed by Santiago Calatrava to anchor the northwest end of the City of Arts and Sciences in Valencia, Spain. It opened on 8 October 2005; its first opera staging was of Beethoven's Fidelio on 25 October 2006. Tenor and conductor Plácido Domingo has maintained a special relationship with the Palau since its founding and has established a young singers training program there.

Donald George Novis (3 March 1906 – 23 July 1966) was an English-born American actor and tenor.

"Batman Theme", the title song of the 1966 Batman TV series, was composed by Neal Hefti. This song is built around a guitar hook reminiscent of spy film scores and surf music. It has a twelve bar blues progression, using only three chords until the coda. The music was performed by "the Wrecking Crew" with Tommy Tedesco on the guitar, Carol Kaye on bass and other studio musicians that dominated the music scene.

The eleven cries of "Batman!" are sung by a chorus of four tenors and four sopranos (performed by the Ron Hicklin Singers). A common misconception is that the chorus is actually a horn section, a rumor began shortly after the TV series ended its initial run in 1968, and gained attention from Adam West's 1994 book Back to the Batcave, in which he incorrectly recalled that the theme featured horns rather than vocals. Neal Hefti, the writer of the theme, stated that the chorus was made up of eight singers, one of whom jokingly wrote on his part, "word and music by Neal Hefti". According to TV's Biggest Hits by Jon Burlingame, which includes an interview with Hefti about the creation of the song, the song consists of "bass guitar, low brass and percussion to create a driving rhythm, while an eight-voice chorus sings 'Batman!' in harmony with the trumpets". The song reached No. 13 on Canada's CHUM Chart and No. 41 on the RPM chart.

Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.

The four main voices are typically labelled as soprano (or treble and countertenor), alto (contralto, countertenor or mezzo), tenor, and bass. Because the human voice has a limited range, different voice types are usually not able to sing pitches that lie outside of their specific range.

In music, SATB is a scoring of compositions for choirs or consorts of instruments consisting of four voice types: soprano, alto, tenor and bass.

Die schöne Müllerin (German pronunciation: [diː ˈʃøːnə ˈmʏlɐʁɪn],"The Fair Maid of the Mill", Op. 25, D. 795), is a song cycle by Franz Schubert from 1823 based on 20 poems by Wilhelm Müller. It is the first of Schubert's two seminal cycles (preceding Winterreise), and a pinnacle of Lied repertoire.

Die schöne Müllerin is performed by a pianist and a solo singer. The vocal part falls in the range of a tenor or soprano voice, but is often sung by other voices, transposed to a lower range, a precedent established by Schubert himself. Since the protagonist is a young man, performances by women's voices are less common. The piano part bears much of the expressive burden of the work, and is only seldom a mere 'accompaniment' to the singer. A typical performance lasts around sixty to seventy minutes.

Giuseppe Borgatti (Cento, 17 March 1871 – Reno di Leggiuno, 18 October 1950) was an Italian dramatic tenor with an outstanding voice. (See Michael Scott, cited below, for a laudatory appraisal of his singing.) The creator of the title role in Umberto Giordano's verismo opera Andrea Chénier, he subsequently earned renown for his performances of the music of Richard Wagner, becoming in 1904 the first Italian tenor to appear at the Bayreuth Festival. He sang a variety of leading roles at La Scala, Milan, from 1896 until 1914, but deteriorating eyesight caused by glaucoma put a premature end to his stage career, after which he turned successfully to teaching.

Charles Aznavour (/ˌæznəˈvʊər/ AZ-nə-VOOR; French: [ʃaʁl aznavuʁ]; Armenian: Շահնուր Վաղինակ Ազնավուրյան; born Shahnur Vaghinak Aznavourian; 22 May 1924 – 1 October 2018) was a French singer and songwriter of Armenian descent. Aznavour was known for his distinctive vibrato tenor voice: clear and ringing in its upper reaches, with gravelly and profound low notes. In a career as a singer and songwriter, spanning over 70 years, he recorded more than 1,200 songs, in various languages. Moreover, he wrote or co-wrote more than 1,000 songs for himself and others. Aznavour is regarded as one of the greatest songwriters in history and an icon of 20th-century pop culture.

Aznavour sang for presidents, popes and royalty, as well as at humanitarian events. In response to the 1988 Armenian earthquake, he founded the charitable organization Aznavour for Armenia along with his long-time friend, impresario Lévon Sayan. In 2008, he was granted Armenian citizenship and was appointed ambassador of Armenia to Switzerland the following year, as well as Armenia's permanent delegate to the United Nations at Geneva.

Charles Arthur Russell Jr. (May 21, 1951 – April 4, 1992) was an American cellist, composer, producer, singer, and musician from Iowa, whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved in Lower Manhattan's avant-garde community and later the city's burgeoning disco scene. His eclectic music was often marked by adventurous production choices and his soft tenor vocals.

Russell worked as musical director of the New York avant-garde venue The Kitchen in 1974 and 1975, but later embraced dance music, producing or co-producing several underground club hits under names such as Dinosaur L, Loose Joints, and Indian Ocean between 1978 and 1988. He co-founded the independent label Sleeping Bag Records with Will Socolov in 1981, and collaborated with a wide variety of artists, including musicians Peter Gordon, Peter Zummo, and Talking Heads, DJs such as Walter Gibbons, Nicky Siano, and Steve D'Acquisto; and poet Allen Ginsberg.