The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the piano, using only the white keys, it is the scale that starts with A and continues to the next A only striking white keys. Its ascending interval form consist of a key note, whole step, half step, whole step, whole step, half step, whole step, whole step. That means that, in A aeolian (or A minor), a scale would be played beginning in A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A.
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👉 Aeolian mode in the context of Musical mode
In music theory, the term mode or modus is used in a number of distinct senses, depending on context.
Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek tonoi do not otherwise resemble their medieval/modern counterparts.
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Aeolian mode in the context of Natural minor
In Western classical music theory, the minor scale refers to three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending).
These scales contain all three notes of a minor triad: the root, a minor third (rather than the major third, as in a major triad or major scale), and a perfect fifth (rather than the diminished fifth, as in a diminished scale or half diminished scale).
Aeolian mode in the context of Natabhairavi
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th melakarta rāgam in the 72 melakarta rāgam system. It corresponds to the Natural minor scale (alias Aeolian mode) of western music system.
Natabhairavi corresponds to the Asavari thaat of Hindustani music. In the Muthuswami Dikshitar school this melakarta is instead known as Nārīrītigowla. Natabhairavi is known to be a rāgam that incites feelings of grandeur and devotion in the listeners.